Approaches to End of the World Docs
…Mathieu Roy and Harold Crooks, competed in the Green Screen competition. First Appearance Competition entry Four Horsemen, by one-time theater director Ross Ashchroft, is an impassioned critique of the economic…
…Mathieu Roy and Harold Crooks, competed in the Green Screen competition. First Appearance Competition entry Four Horsemen, by one-time theater director Ross Ashchroft, is an impassioned critique of the economic…
Morgan Holly analyzes how “the Twilight Saga” grew from a small budget to launching the over $3.3 billion worldwide grossing vampire franchise.
…for some reason, in a way that I could not articulate, I knew [this film] was something I had to do. And I didn’t know why, but I knew I…
In this installment of Women in Film Portraits, Lauren Sowa profiles Autumn Moran, a New York based cinematographer who has worked in multiple mediums. Autumn talks with Lauren about her mentors and heroes, current film projects, and about lessons worth imparting to the next generation of DP’s.
Senior Film Critic Kurt Brokaw picks three new films and one short that reflects a half century of the New Directors/New Films festival from MOMA and Films at Lincoln Center.
…of the free market. It’s sad, but that’s competition.” In the late 1990s, when the Randals were beginning to lose hope, the nature of competition changed once more. By 1997,…
The Independent’s Patrick Pearce met with FNC Lab section and short film programmer Philippe Gajan to chat (in English and French) about what “new” means to him, and why it is so difficult to identify documentaries at the FNC.
…I see the world. Mai, the North Vietnamese student who was the subject of Mai’s America, helped me experience America in a completely new way. And Granny D has certainly…
…person that I could run into at a Shiva or another awkward family event. She was awkward in the best way but also just so comfortable in her skin. I…