…the American Jewish community.” This 23rd NYJFF is a clear example of this “silo-ing” effect in festival programming. There’s a “From-The-Vaults” section that excavates an early Yiddish talkie (Mamele with…
Evan Crean reviews his favorites films from this year’s Independent Film Festival Boston (IFFBoston), which ran from April 29 to May 2, 2018 at the Somerville Theatre, The Brattle Theatre, and The Coolidge Corner Theater.
…minutes Louise Chevillotte and Alex Lutz in Auction. (Courtesy of the filmmaker.) As noted, another picture opens this U.S. Rendez-Vous. But a month ago in Paris, Auction was the Opening…
Evan Crean traveled to Montreal for the 21st annual Montreal International Documentary Festival (RIDM), which took place November 8 to 18, 2018. Of the 157 films from 47 countries it screened, he offers reviews of the seven he was able to squeeze into his weekend there.
…is then run through a scanner that digitizes each frame into a computer file. The digitized frames are much more flexible than film when it comes to color correction and…
Backpack Full of Cash is a new documentary by Director and Activist Sarah Mondale. The film, which is co-produced by Vera Aronow, offers an unforgiving portrayal of the charter school movement in America. Marie-Emmanuelle Hartness was at the Boston screening and talks with Mondale and Aronow about making the film and about working with Nancy Carlson-Paige and her son, Matt Damon.
In this installment of Women in Film Portraits, Lauren Sowa profiles Danielle Eliska Lyle, a writer, filmmaker, and photographer from Detroit. As a “black archivist,” Danielle’s life work is to tell stories (written, filmed, and photographed) of powerful women, the black diaspora, and the state of black culture. Danielle has gained notable screenwriting recognition and many awards. Her infectious spirit and passion for creative storytelling are palpable; read on!
Immigrant artisan, insatiable curator, preservationist, fearless exhibitor who got the world to understand that raw and unruly “underground” cinema could be classic independent moviemaking —Jonas Mekas did it all, passing away January 23 at age 96. Senior film critic Kurt Brokaw salutes the life and work of the pioneer who built Anthology Film Archives in lower Manhattan, proudly calling himself a filmer and not a filmmaker.
The Independent‘s Editor speaks with Gabriel Silverman, Fiona Dawson, and Jaime Coughlin on their award-winning documentary TransMilitary.