Funder FAQ: Texas Filmmakers’ Production Fund
…and continue to program more than 100 films each year. What kind of independent community does Austin have? What are some recent projects that have come out of there? Austin…
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Film Festivals: The IFP Market’s Silver Anniversary
…Native American activists trying to protect their land from oil drilling, mining, and toxic waste dumping. Daniel Gold and Judith Helfand’s latest doc, Melting Planet, examines the effects of global…
TIFF 2014: Safdie Bros Borrow From Life on NY Streets in “Heaven Knows What”
Heroin addiction and life on the New York streets take center stage in Josh and Benny Safdie’s latest, Heaven Knows What. The morning after their North American premiere at TIFF, they riff on the why and what of it all with the film’s star and inspirational scribe, Arielle Holmes.
American Honey Celebrated its Fourth Anniversary
On September 30 (October 14 for the UK), “American Honey” celebrated its fourth anniversary in the US. As the writer and director of the movie, Andrea Arnold was able to fully submerge the audience into the movie by filming it entirely using handheld cameras.
Scorsese at 81: The Director’s Independent Spirit Continues to Shine
…Niro and the movie that launched both of their careers, as well as the wide release of “Killers of the Flower Moon,” Scorsese’s latest film and 11th collaboration with De…
The IFP Market’s Silver Anniversary
…Native American activists trying to protect their land from oil drilling, mining, and toxic waste dumping. Daniel Gold and Judith Helfand’s latest doc, Melting Planet, examines the effects of global…
Sundance 2014: Three Films Disturb the Peace
Despite the unavoidable Park City glitz, Neil Kendricks writes, “Sundance still provides a forum for much-needed cinematic troublemakers.” Read how three films in particular grabbed him by the collar, <i>Only Lovers Left Alive, 20,000 Days on Earth</i>, and <i>Rat Pack Rat</i>.
Sundance 2015 – Nasty Baby is Fun But Perplexing
The film’s title is a strange dichotomy, writes Maddy Kadish from Sundance 2015, and the first part of Nasty Baby “is like a fantasy you don’t want to end.” She and a fellow audience member confer and decide that this film takes a dark turn, and doesn’t come back.
Exploring Latinx Cinema: ‘You Were My First Boyfriend’ Takes CineFest Latinx Festival by Storm
…means of cultural expression and exploration. “You Were My First Boyfriend” by Aldarondo, with its exploration of memory, love and identity, is a prime example of the festival’s commitment to…