From his purview at TIFF 2014, Drafthouse’s Tim League weighs what is and isn’t apocalyptic about the future of distribution in a season of down box offices and new acquisitions such as Joshua Oppenheimer’s The Look of Silence.
…of the scope of the manifesto: for example, the interactive web documentary Prison Valley, which gathered a community through Twitter and Facebook during the viewing experience. Prison Valley’s presence on…
…with vertical integration comes the possibility of monopsony (the flip side of monopoly, when there is no real competition between companies that will actually purchase a given product or service)…
…hope that when the dream producer takes on the daily tasks, they will be free to think and come up with the film that waits unformed in their desire. To…
…from playwrights, who tend to stay away from writing complicated sets into their productions in order to keep the budget low and to attract potential investors. If it doesn’t make…
What many of us believed to be impossible has happened—Donald Trump will be the next President of the United States. What will this mean for independent filmmakers, arts funding, and free speech? And what can we do about it?
…we disabled our user accounts which allowed users to subscribe to our enews, post free classifieds, and comment on stories. We switched to a commercial email provider in order to…
…the details are still being finalized, but said via email: “[We’re] checking out different cities, theaters and clubs so we can make some decisions about where our program would have…
…eye out for: See our web site [www.vtape.org] for updates on all our new releases. Famous last words: As distributors we constantly remind all levels of funding and support for…