Paweł Pawlikowski’s striking Cannes standout, ‘Fatherland’
Postwar Europe is nothing new for Polish “Fatherland” writer and director Paweł Pawlikowski. Known best for “Cold War” and “Ida,”…
Postwar Europe is nothing new for Polish “Fatherland” writer and director Paweł Pawlikowski. Known best for “Cold War” and “Ida,”…
Jane Schoenbrun isn’t one for subtlety. Although their sophomore breakthrough “I Saw The TV Glow” was derided by some for…
“All of a Sudden” is the third film from Japanese auteur Ryusuke Hamaguchi to compete in The Cannes Film Festival…
The “missing persons” subgenre of film is a strange one — repetitive at times, nearly impossible to perfect, yet often…
Flaunting a skin-tight beret and suspicious beard, John Travolta walked the red carpet at the Cannes Film Festival on Friday…
After nearly 20 hours of travel and a nine-hour time difference — including a red-eye flight where none of my…
With the potential for films to champion a diverse array of voices and stories, one of the most powerful spaces to protect this freedom is in the film festival realm.
As we make our hesitant return to the routines of fall semester, I often find myself reminiscing on the summer….
CANNES — If you, like me, have a soft spot for “character acting,” John Prine and a general partiality for films that make you itch just looking at them, Lynne Ramsay’s “Die My Love” might just emerge from Cannes as your perfect darling. Granted, in the world I live in, you can get away with anything if you make enough Nick Lowe references. God help the beast in me…