Effie Brown
“A hybrid of a hippie commune and capitalism,” is how revered indie film producer Effie Brown describes the goal of…
Making Films
Gregg Araki Gets Mysterious
Gregg Araki is George Bush’s worst nightmare. In Araki’s parallel cinematic universes, the mainstream is subverted, what the right wing…
This Revolution
In June 2004, I watched Ted Demme’s inspirational profile of 70s filmmakers, A Decade Under the Influence, which is basically…
Woman, Thou Art Loosed
Is America ready for gospel cinema? Independent producer Reuben Cannon thinks so. The former veteran casting director sees a vast,…
The Miller’s Daughter
Rebecca Miller needs to recharge. Well, her phone at least. Plugged into an ancient socket behind me and perched on…
Is it too late to edit myself out of this film?
Dear Doc Doctor: I think I made the mistake of putting myself in my film as the inquisitive filmmaker—as a…
The Anatomy of a Short
Ten years ago two witty gents from Colorado, Trey Parker and Matt Stone, made a riotous animated short called The…
The Pay-Off
In the first few minutes of Kevin Everson’s new film Spicebush, the screen splits into two frames, one showing a…
Filming Curtis
When I was a teenager, I took a poetry workshop in Brookline, Massachusetts with Barbara Helfgott Hyett, a wonderful teacher…