Kurt Brokaw matches Thom Andersen and Noël Burch’s tour de force of clips in their 1995 documentary <i>Red Hollywood</i> with a likewise ambitious recap of those clips. Film students take note, thanks to McCarthy, you haven’t seen everything yet, but this doc will help you get there. Screening at Film Society of Lincoln Center August 15-21, 2014.
Get a sneak peek at one of the new additions to <i><a href=”http://www.independent-magazine.org/distributor”>The Independent’s Guide to Film Distribution</i></a>: FAQ with FilmBuff CEO Janet Brown on the who-what-why of FilmBuff’s VOD-centered distribution mission.
Horror doesn’t scare our senior film critic Kurt Brokaw. Two cutting films make his cut (<i>Buzzard</i> and <i>The Babadook</i>) plus he returns to Romania’s cinema frontier with <i>QED</i> (that’s the short title) gets unfrozen in Greenland and takes a ride with the Phantom, Nick Cave.
“You may not be persuaded by a minute of it, but if you have a sweet tooth for French neo-noir, you can’t help but believe your lying eyes.” That’s senior critic, Kurt Brokaw, on his fourth consecutive year choosing a critic’s choice from Rendez-vous With French Cinema. Curious about which one he’s talking about? Read <a href=http://independent-magazine.org/magazine/2014/02/Kurt-Brokaw_Rendez-vous_with_French_Cinema>more</a>.
Is our nostalgia for the 80s replacing our nostalgia for the 50s? Michele Meek suggests so, using a resurgence of interest in Keva Rosenfeld’s 1987 documentary, <i>All American High</i>, as her primary example. It screens March 9th and 12th at SXSW.
<i>The Independent</i> is seeking nominations for our annual <b>10 to Watch</b> series from <b>you</b>! Our nominating jury leads the charge in our goal to honor 10 independent filmmakers who stop us in our tracks. Take a look at our criteria and send us your nominations by February 28, 2014.
Sundance’s New Frontier section took form through data visualization, transmedia, virtual-reality, and interactive film exhibits. Maddy Kadish highlights what hit and what missed from this year’s festival.
Neil Kendricks takes a look at how animation was used in the documentaries at Sundance 2014 and speaks one-on-one with <i>Watchers of the Sky’s</i> Molly Schwartz.
Despite the unavoidable Park City glitz, Neil Kendricks writes, “Sundance still provides a forum for much-needed cinematic troublemakers.” Read how three films in particular grabbed him by the collar, <i>Only Lovers Left Alive, 20,000 Days on Earth</i>, and <i>Rat Pack Rat</i>.