3-D (Like it Used to Be) in ‘53
In 1953 and ‘54, this critic was popping the popcorn, changing the marquee, and patrolling the aisles of the Ritz…
Articles
Exhibitor FAQ: Emerging Pictures
With about 70 theatrical venues, Emerging Pictures is the largest network of digital theaters in the country. Existing and burgeoning…
The Show Must Go Green
Miranda Bailey’s recent film-within-a-film documentary, Greenlit, portrays the hopes and eventual challenges of making the production of The River Why…
Fantasia’s Programmer Simon Laperrière Wants You to See More Genre Films
Montréal’s Fantasia International Film Festival may well be the largest film fest you’ve never heard of. If you haven’t been…
Distributor FAQ: FilmBuff
FilmBuff is a digital distribution service provided by Cinetic Rights Management (CRM). Although FilmBuff is less than three years old,…
How an Innovative Web Doc Secured Traditional Distribution
Prison Valley, a multimedia prison reform project, tells the tale of Fremont County, Colorado: a tiny patch of the Southwest…
A Meeting of Worlds: YouTube Biennial at the Guggenheim
The Guggenheim Museum: one of the art world’s most venerable institutions, home of masterpieces from the Impressionist movement to the…
Exhibitor and Distributor FAQ: Seattle’s Northwest Film Forum
Located in Seattle, the Northwest Film Forum (NWFF) is an invaluable resource for independent filmmakers in the Pacific Northwest, providing…
No Thanks, Take-Back Manifesto
“Can we get back to talking about movies, please?” So concludes The Take-Back Manifesto, filmmaker/blogger Michael Tully’s biting critique of…