Sharpen Your Axe with Razor Tongue
The US is not shy to acknowledge its long binging habits, boasting some of the highest consumption rates of digital…
Author: john_rodzvilla
Rendez-Vous with French Cinema – March 5-15
You’ll forgive your 81-year-old Manhattan moviegoer if his first three reviews below putter about, pausing to stare at the pleasure…
VR In the Spotlight
Staff writer Maddy Kadish explores a new ‘reality’ taking the Festival circuit by storm.
New Directors/New Films 2017: “Quest”
Kurt Brokaw reviews Jonathan Olshefski’s debut documentary “Quest”, a deeply personal and uplifting meditation on family love. The documentary debuted at Lincoln Center’s “New Directors/New Films” Festival which runs March 15-26.
New Directors/New Films 2017: “Patti Cake$”, “Menasche”
Staff writer Kurt Brokaw reviews ‘Patti Cake$’ and ‘Mensche’, now playing at Lincoln Center/MoMa’s New Directors/New Films Festival March 15-26.
Artifacts from Cinematic Heaven and Hell: The Kubrick Cult Moves to TIFF
This article was originally published on June 5th 2013, Stanley Kubrick: the exhibition can now be seen as part of the…
New York Film Festival 2014 – Critic’s Choice
Kurt Brokaw returns to the New York Film Festival as our senior critic for the fifth consecutive year. No film is left behind as he chooses his favorites, with reviews starting now and coming in over the next week. The festival runs September 26th through October 12th.
New York Film Festival 2014 – Audience Plays Key Role in “Convergence”
New York Film Festival’s transmedia track, Convergence, gets a visit from The Independent’s Anisha Jhaveri. She reviews two audience-driven projects, Immigrant Nation and Artifact of Fukushima: Selections From Unknown Spring.
Inspired by Personal History, Hong Khaou Releases “Lilting” to US Audiences
In Hong Khaou’s Lilting, available on DVD and VOD September 29th, a mother grieves for her son by getting to know her son’s partner. Khaou told The Independent his debut feature came, “from a place that’s deeply personal, especially that of grief. I lost my dad when I was 12 and the character in the film loses her son. So I had to expose myself in a certain way writing this.”