The film’s title is a strange dichotomy, writes Maddy Kadish from Sundance 2015, and the first part of Nasty Baby “is like a fantasy you don’t want to end.” She and a fellow audience member confer and decide that this film takes a dark turn, and doesn’t come back.
Felix and Meira (Maxine Giroux. 2014. Canada. 105 min) Last year’s Closing Night selection at NYJFF was Ida, this writer’s…
This article was originally published on June 5th 2013, Stanley Kubrick: the exhibition can now be seen as part of the…
Kurt Brokaw returns to the New York Film Festival as our senior critic for the fifth consecutive year. No film is left behind as he chooses his favorites, with reviews starting now and coming in over the next week. The festival runs September 26th through October 12th.
New York Film Festival’s transmedia track, Convergence, gets a visit from The Independent’s Anisha Jhaveri. She reviews two audience-driven projects, Immigrant Nation and Artifact of Fukushima: Selections From Unknown Spring.
With Boyhood, “Richard Linklater, already one of America’s most persistently inventive independent filmmakers, has made movie history with the longest real-time dramatic memoir,” writes senior critic Kurt Brokaw. Read his mostly admiring review here.
Of Tribeca’s 89 features and 60 shorts, senior critic Kurt Brokaw elaborates on his favorites. <i>Chef, Venus in Fur</i> and <i>Virunga</i> started us off and <i>Dior and I, Helium, Today’s the Day, Love In the Time of March Madness, Human Voice, Shaking Free</i> and <i>The Vortex Finds a Host</i> round off the list.
Kurt Brokaw matches Thom Andersen and Noël Burch’s tour de force of clips in their 1995 documentary <i>Red Hollywood</i> with a likewise ambitious recap of those clips. Film students take note, thanks to McCarthy, you haven’t seen everything yet, but this doc will help you get there. Screening at Film Society of Lincoln Center August 15-21, 2014.
Horror doesn’t scare our senior film critic Kurt Brokaw. Two cutting films make his cut (<i>Buzzard</i> and <i>The Babadook</i>) plus he returns to Romania’s cinema frontier with <i>QED</i> (that’s the short title) gets unfrozen in Greenland and takes a ride with the Phantom, Nick Cave.