Macedonian filmmaker Teona Mitevska’s film Gospod postoi, imeto i’ e Petrunija or God Exists, Her Name Is Petrunya, begins on an ordinary day in the life of Petrunija. Her mother brings her breakfast, which Petrunija eats under the covers, but her mother has actually come to inform her that she has set up (another) job interview for… Read more »
There was some judgment in some way by the choice of the locations. By the facts we wanted to stress in our narration. None of the locations were there just for fun, they should all tell something for those who want to read between the lines, so there is some criticism of mankind. But besides that it’s true, the audience is very much invited to basically see their own film.
Senior Critic, Kurt Brokaw views all 21 features at the 21st annual festival which runs March 3rd to 13th
“The whole process from rehearsing to shooting was really fascinating, enjoyable, challenging and difficult,” Chevalier actor, Yorgos Pirpassopoulos, told The Independent at NYFF 2015. They rehearsed on location and brought their own ideas on character and improvisation. “I had a feeling that everything could change at any moment and that added a lot to film,” he said.
“Yes, it’s a portrait,” explains Laszlo Nemes about his debut feature Son of Saul. “It’s a very reduced scope of an image and it actually corresponds to the limitations of a human being: you see very little, you know very little in a concentration camp. And the human experience, with hindsight, is different but the people who were there knew much less. I wanted to convey how limited we could be in this kind of situation.”
In 2001, Athina Rachel Tsangari graced our cover. Fourteen years later, Dana Knight sat down with Tsangari, NYFF’s 2015 Filmmaker In Residence, at the Sarajevo Film Festival. Learn why men ask: “We’re not like that and who are you, a woman, judging us in this way?” about Tsangari’s latest film, Chevalier.
“I didn’t want her to be just a girl looking. She had to drive herself…” says director Sanna Lenken about My Skinny Sister. The story is in the POV of a young girl whose sister has an eating disorder. Lenken talks with Dana Knight about how she adapted events from her life into her first feature-length fiction film.
Jonathon Narducci tries to blow up perfect ideas of love in his documentary, Love Me, about men and women whose matches are made the old-fashioned way, by mail order. Dana Knight asks how he reached his conclusions about how and when love succeeds.