Filmmakers and Their Global Lens: Sophie Deraspe
“It is indeed a documentary about a huge fiction!” says Sophie Deraspe, the director of The Anima Profile, to Staff Writer Dana Knight, during their recent conversation.
“It is indeed a documentary about a huge fiction!” says Sophie Deraspe, the director of The Anima Profile, to Staff Writer Dana Knight, during their recent conversation.
New Zealand human rights lawyer turned filmmaker Amelia Evans is not one to shy away from controversy. She follows the lives of pedophiles to find ways to prevent child abuse and understand their taboo attraction to children in her thought-provoking documentary Minor Attraction.
“SUMÉ – The Sound of a Revolution is the story of the first Greenlandic rock band and its huge impact in the new awakening of the Greenlandic people in the 1970s.” says Inuk Silis Høegh
Joshua Oppenheimer’s latest film, The Look of Silence, is a companion piece to the critically acclaimed, and hotly debated, The Act of Killing. The Independent‘s staff writer Dana Knight spoke with Oppenheimer at SXSW, where he commented on how Americans misinterpret cinéma vérité. “It’s actually precisely because of the camera not despite it…that certain things are happening,” he said.
“Oh, he was frustrated with me and I was frustrated with him through the process of making this film, but I’m a fan of the man,” says Ondi Timoner to The Independent’s Dana Knight. The pair talks shop about filming Russell Brand for Brand: The Second Coming, which premiered at SXSW 2015.
Is this how you want to be entertained? Senior critic Kurt Brokaw asks tough questions of a blatantly tough-on-the-senses program at this year’s New Directors/New Films. A handful of the full slate make his cut. The rest just cut.
The Independent kicks off a new series to aid would-be curators and filmmakers (seasoned and new) in their hunt for the best of indie film community gatherings. First up: Salem Film Fest, an all-documentary festival, growing in audience numbers and prestige, held in Salem, MA each March.
Jonathon Narducci tries to blow up perfect ideas of love in his documentary, Love Me, about men and women whose matches are made the old-fashioned way, by mail order. Dana Knight asks how he reached his conclusions about how and when love succeeds.
Rendez-vous with French Cinema returns to New York for its 20th year with 22 North American premieres. Senior critic, Kurt Brokaw, sees the slate and divides his favorites into Youth and Crime. With Martin Scorsese as one of this year’s co-chairs, Brokaw insists that indeed, crime does pay.