Articles Tagged Software

Tribeca 2014: Interactive’s Audience Now Has an Audience

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From playing the giant piano inspired by <i>Big</i> to starting to fan stalk other media fans, Tribeca’s cutting edge Innovation Week brought all things transmedia (and more) to the forefront of the conversation, and better yet, to the hands-on Interactive Playground. Senior producer Maddy Kadish was on the scene.

Beyond a Social Network

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South by Southwest (SXSW) has become a convergence of film, interactive media, and music, as the lines between these media have increasingly blurred. So it’s appropriate that David Dworsky and Victor Köhler’s documentary, Press Play Pause, was chosen for an opening night premiere. The film examines the impact of technology on music and film, and… Read more »

PIRACY BE GONE!

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Indiepix and PixelTools Corporation recently announced that the 2,000 films available on Indiepix.net’s Download-To- Own system will be watermarked using a new technology called MPEG Escort. The invisible, digital watermark allows online purchasers to make copies, but prevents pirates from doing so, (the watermark makes it simple to trace who originally purchased and downloaded the… Read more »

Voices from Issues Past

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What happened at AIVF over the last 30 years? Coming up with a coherent and entertaining way to answer that question was not an easy task. Instead of recounting the factual history—which would put most readers to sleep—we decided to let the voices (of past and present) speak for themselves. What follows is a conversation… Read more »

AIVF: And What it Meant to Me

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I first became aware of AIVF when Martha Gever was editor of The Independent. I marveled at this national organization that put out each month a magazine chock full of weighty, intellectual and critical articles on film and video. The magazine wasn’t glossy and was not determined to be a general “industry rag.” At that… Read more »

What’s Your Budget?

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Before shooting a film or video, long form or short form, narrative or documentary, before beginning development, fundraising, or even casting, there is one thing every filmmaker should have, a budget. It is a crucial part of every production. It’s one of the few constants in every type of filmmaking. It’s the thing that almost… Read more »

Opening With Style

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As anyone who has been to many festivals or film school screenings can attest, for most independent and student filmmakers, title design is a rushed process at the end of a busy editorial cycle. While it may be easy to type titles and credits into the standard titling tool in a nonlinear editing application, the… Read more »

3D Animation

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The world of 3D animation is slowly opening up to new artists. New training options, online communities of users, and lower prices now make the prospect of 3D animation more enticing for independent filmmakers. But for those who know little about the field, starting out in 3D animation is still laden with many tough decisions,… Read more »

Cleaner 5.1

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Delivering video over the Internet poses an interesting challenge to those who want to preserve the image quality of their video while giving the audience the best experience possible. Video delivered over the Internet must both look and sound as good as possible yet download quickly so that the audience does not become annoyed at… Read more »

Avid Leaves Mac on the Cutting Room Floor

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NAB is always a forum for major announcements and surprising releases, but few announcements have created as big a stir in the broadcast and film communities as this year’s statements by Avid, Incorporated. Though the company’s claims are open to interpretation, one message came through loud and clear: Avid’s future on the Mac platform is… Read more »