Author: Kurt Brokaw

Senior film critic Kurt Brokaw reviews New York’s six major film festivals plus individual features and shorts of merit. He’s taught courses in film noir, early lesbian fiction, and Jewish-themed cinema at The 92nd Street Y for 15 years.

Articles Written by Kurt Brokaw:

Tribeca 2017: Critic’s Choices – Documentaries

Clive Davis: The Soundtrack of Our Lives, Chris Perkel, 2017, USA, 123 min. In the late 1960s and early 70s, RCA Records’ main competition in the music business was Columbia Records and 35-year-old Clive Davis. While your critic’s advertising and promotion unit was knocking out advertising and promotion campaigns for RCA headliners like Jefferson Airplane,… Read more »

Tribeca 2017: More Critic’s Choice Short Films

The Amazing Adventures of Wally and the Worm, Colin Hanks, 2016, USA, 16 min. You don’t have to be a Dennis Rodman fan to love Colin Hanks’ mostly animated and entirely hilarious tale of Rodman’s 10-day California rehab following a sprained knee. The owner of the Chicago Bulls basketball team put the 6’10” power forward under… Read more »

Tribeca 2017: Critic’s Choices

Once again it’s time to revisit the mission statement of downtown Manhattan’s most popular spring attraction: “The festival was founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff in 2001 to spur the economic and cultural revitalization of lower Manhattan following the attacks on the World Trade Center. With strong roots in independent film,… Read more »

Tribeca 2017 Review: 11th Hour

Jim Sheridan, Mexico/Ireland, 10 min. Jim Sheridan (In America, My Left Foot, In the Footsteps of My Father), Oscar nominated six times, might win for 2017’s Best Short. Here’s how Sheridan describes his 10 minute drama 11th Hour, which is set in a New York bar 11 hours after the Twin Towers came down: “I… Read more »

New Directors/New Films 2017: “Quest”

Quest                 Jonathan Olshefski, USA, 2017, 105 min. Sometimes when a documentary goes more wrong than the filmmaker could ever have predicted, it turns out more right than the filmmaker could ever have dreamed. A recent example of this paradox was Barbara Kopple’s Miss Sharon Jones, which became The Independent’s lead review out of 104… Read more »

New Directors/New Films 2017: “Patti Cake$”, “Menasche”

March 8, 2017 / By Kurt Brokaw Patti Cake$            (Geramy Jasper, USA, 2017, 108 min) Memo to Film Society of Lincoln Center and Museum of Modern Art curators: Immediately after the whooping and hollering die down from Geramy Jasper’s smashing rap teardown on Opening Night, rush a 35mm print to Quentin Tarantino at his New… Read more »


Rendez-vous With French Cinema 2017 – March 1-12

Nocturama (Bertrand Bonello, France/Germany/Belgium, 2016, 130 min.) Dread is the new normal in how we consume media, especially news. In Bertrand Bonello’s darker-than-dark superthriller, we feel the dread more acutely because we’ve watched it unfold too many ways, too many nights, on too many news channels. Here the dread is ratcheted up by a movie… Read more »

Still from Moon in the 12th House

New York Jewish Film Festival 2017 – January 11-24

Moon in the 12th House (Dorit Hakim. Israel. 2016. 110 min.) “Love film? In your 20s and 30s?” asks the splashy new four-color flyer for the Film Society of Lincoln Center’s New Wave program. It’s a $350 (and up) membership obviously aimed at millennials, boasting happy hours and drink specials along with other parties, tickets,… Read more »


John Cassavetes Talks Comedy, Life, and Reputation in Rare 1989 Interview

Before there was independent film, there was Cassavetes. In John Crittenden’s brooding cover photo to Gabriella Oldham’s 24 gathered interviews and solo statements from 1958 to 1985, he’s guarded, challenging, looking half-ready to give the interviewer a piece of his mind at any moment. Cassavetes died in 1989 at 60, having written and directed nine… Read more »


New York Film Festival 2016 (Sept. 30-Oct. 16)

Moonlight (Barry Jenkins. USA. 2016. 110 minutes) “Film Lives Here” is the theme of the Film Society of Lincoln Center, its 54th New York Film Festival, and its flagship Walter Reade Theater. “Film Lives On Here” would be just as apt. It’s possible your movie sensibilities were shaped by Richard Roud’s curatorial leadership starting in… Read more »