Nikolaus Geyrhalter confronts “Homo Sapiens”

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There was some judgment in some way by the choice of the locations. By the facts we wanted to stress in our narration. None of the locations were there just for fun, they should all tell something for those who want to read between the lines, so there is some criticism of mankind. But besides that it’s true, the audience is very much invited to basically see their own film.

NYFF 2015: Yorgos Pirpassopoulos Talks “Chevalier”

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“The whole process from rehearsing to shooting was really fascinating, enjoyable, challenging and difficult,” Chevalier actor, Yorgos Pirpassopoulos, told The Independent at NYFF 2015. They rehearsed on location and brought their own ideas on character and improvisation. “I had a feeling that everything could change at any moment and that added a lot to film,” he said.

NYFF 2015: Laszlo Nemes on Recreating Auschwitz

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“Yes, it’s a portrait,” explains Laszlo Nemes about his debut feature Son of Saul. “It’s a very reduced scope of an image and it actually corresponds to the limitations of a human being: you see very little, you know very little in a concentration camp. And the human experience, with hindsight, is different but the people who were there knew much less. I wanted to convey how limited we could be in this kind of situation.”

Filmmakers and Their Global Lens: Sanna Lenken

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“I didn’t want her to be just a girl looking. She had to drive herself…” says director Sanna Lenken about My Skinny Sister. The story is in the POV of a young girl whose sister has an eating disorder. Lenken talks with Dana Knight about how she adapted events from her life into her first feature-length fiction film.

Filmmakers and Their Global Lens: Jonathon Narducci

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Jonathon Narducci tries to blow up perfect ideas of love in his documentary, Love Me, about men and women whose matches are made the old-fashioned way, by mail order. Dana Knight asks how he reached his conclusions about how and when love succeeds.