How ‘Tangerine’ challenged society’s sexualization of trans women, and why it can’t end here
When Sean Baker’s crime comedy “Tangerine” was released in 2015, it surprisingly garnered mainstream success, given its budget, production and…
When Sean Baker’s crime comedy “Tangerine” was released in 2015, it surprisingly garnered mainstream success, given its budget, production and…
Increased sexualization in the media today may be best reflected in a growing trend that explores sexuality within a competitive…
Roughly translating to “And your mother too,” Alfonso Cuarón’s fourth feature film and first independent film, “Y Tu Mama También”…
In the early 90s, queer cinema was experiencing a quiet revolution. Independent filmmakers were rejecting the censored or tragic depictions…
This past summer, I was asked to photograph my family reunion in North Carolina. Compared to our previous gathering four…
Peggy (Lesley Sharp) studies the face of her son’s partner, Ray (Alexander Skarsgård) closely. The two men have been seeing…
In his sophomore feature ‘Drunken Noodles,’ filmmaker Lucio Castro captures a plethora of these quiet moments, contrasting them with euphoric tableaus of various gay dalliances. The film spiritually evokes a space between two worlds: the hushed atmosphere of a cruising site and the unburdened revelry of one of Sal Salandra’s canvases (the real-life artist who inspires a crucial character in the film). Inside of this delicately drawn world, protagonist Adnan — a graduate student house sitting for his uncle in New York City while working at a small art gallery — seeks to fulfill his desires.
As queer dating culture bleeds into mainstream culture at a heightened rate — with the current crazes surrounding “Heated Rivalry”…