Author: Kurt Brokaw

Kurt Brokaw
Kurt Brokaw joined The Independent in 2010 as Senior Film Critic,
covering New York’s six major film festivals and reviewing individual
features and shorts of merit.  He was Associate Teaching Professor
at The New School for 33 years, and has taught courses on film noir,
early lesbian fiction and Jewish-themed cinema at The 92nd Street Y
for 15 years. His memoir, The Paperback Guy, was published in 2020.

Articles Written by Kurt Brokaw:

Tribeca 2010 Critic’s Choice: “Cairo Time”

Cairo Time (Ruba Nadda. 2009. Canada/Ireland/Egypt. 89 min.) We’ve all logged time in the stranger-in-a-strange-land movie, but rarely with the intense pleasure that accompanies watching Patricia Clarkson discover Cairo. Clarkson works more modestly and with more cumulative emotional impact under Syrian/Canadian writer-director Ruba Nadda than she’s ever demonstrated in a long, distinguished career. There’s a… Read more »

Tribeca 2010 Critic’s Choice: “Sex&Drugs&Rock&Roll”

Sex&Drugs&Rock&Roll (Mat Whitecross. 2009. UK. 115 min.) Imagine the headshot of actor Andy Serkis. Watch his eyes—the man can act with his eyes more expressively than anyone in his generation. In King Kong, wearing the gorilla suit, his eyes were pinpoint flashes of anger, loss, confusion and fury. As Gollum in Lord of the Rings… Read more »

Tribeca 2010 Critic’s Choice: “Visionaries”

Visionaries (Chuck Workman. 2010. USA. 90 min.) If you were tasked with pulling together a comprehensive history of experimental cinema from the 1920s through today—running exactly 90 minutes—who would you trust to research and assemble such a formidable project? Chances are Chuck Workman would top your list; his reputation as the premiere montage specialist has… Read more »

Defending Tribeca in an Era of Megabrands

Those French scamps who walked off with this year’s Best Short Oscar (LogoRama) didn’t sneak in a Tribeca Film Festival logo among their 2,500 global power players. But TFF’s simple, clean graphic wouldn’t have looked out of place next to MGM’s lion and Universal’s revolving world. TFF still has only a fraction (nine years) of… Read more »

Tribeca 2010 Critic’s Choice: “The Killer Inside Me”

The Killer Inside Me (Michael Winterbottom. 2010. USA. 109 min.) Deep into Michael Winterbottom’s indelibly accurate rendering of Jim Thompson’s most important novel, is a defining scene in an Oklahoma jailhouse. Sheriff Lou Ford (Casey Affleck, as soulless a killing machine as any lifelong Thompson fan could wish for) is trying to cheer up the… Read more »

Tribeca 2010 Critic’s Choice: “The White Meadows”

The White Meadows (Mohammad Rasoulof. 2009. Iran. 93 min.) “My job has to do with people’s heartaches,” says Rahmat the boatman (Hassan Pourshirazi), a serious and purposeful man whose unending task seems to be circling the tiny islands and inlets spotted through Lake Urmia, one of the largest saltwater lakes in the world. Rahmat’s specific… Read more »

Best of New Directors/New Films 2010: Shorts

Best of 11 Short Films from New Directors/New Films Logorama (H5: François Alaux, Hervé de Crécy, and Ludovic Houplain. 2009. France. 17 min.) And you thought only Chuck Workman could give us a fast-cut world of colliding, spiraling images we somehow retain. Advertising’s even faster, more vivid, more memorable, because the 2,500-and-counting corporate logos that… Read more »

Best of New Directors/New Films: Bill Cunningham New York

Bill Cunningham New York (Richard Press. 2010. USA. 84 min.) “I let the street speak to me.” At 80 and still pedaling a Schwinn bike (his 29th, the other 28 rode off without him), the New York Times style photographer knows Manhattan sidewalks and the women and men walking them better than anyone. Midtown strollers… Read more »

Best of New Directors/New Films: Samson and Delilah

Samson and Delilah (Warwick Thornton. 2009. Australia. 101 min.) Jeff Bridges can teach you a sad thing or two about chronic alcoholism in Crazy Heart. And if you’d like a primer in the despair of speed and heroin, look no further than Julian Schnabel’s artful filming of Lou Reed’s Berlin concert. But petrol sniffing? Well,… Read more »

Best of New Directors/New Films: The Evening Dress

The Evening Dress (La Robe du soir) (Myriam Aziza. 2009. France. 98 min.) You can count on one hand the recent films that get adolescent sexual awakening right. If you narrow that to female adolescent sexual longings, only a few stand out. Water Lilies, made in France in 2007 about a girls’ synchronized swim team,… Read more »