Interviews

Ricardo Bouyett's "No Love For Fuckboys" promotional image.

On Art and Healing

The Independent’s editor speaks with Ricardo Bouyett, filmmaker, writer, and photographer of the new short No Love For Fuckboys. The film, which won “Best Experimental Short” at the Short To The Point International Film Festival, is an exploration—at once personal and more broadly social—of the intricacies of navigating dating, friendship, love, and desire after the trauma of sexual assault.

New Documentary Shines a Light on Brooklyn Teenager Miasia Clark
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New Documentary Shines a Light on Brooklyn Teenager Miasia Clark

The Independent catches up with Yvonne Michelle Shirley, creator of the new documentary, Miasia: The Nature of Experience. The film, which featured at BlackStar Film Festival, chronicles the life of Brooklyn teenager Miasia Clark as she navigates her everyday world and prepares to present at the first ever Black Girl Movement National Conference. Miasia is joined in this effort by members of her activist group, Girls for Gender Equity.

 

a man sits on grass and looks at the camera
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(Dis)Ability in the Work of an Australian Filmmaker

The Independent speaks with gough, a screen writer, director, and producer based in Australia. gough, who is legally blind, runs the successful company Beernuts Productions, which has produced a variety of documentaries, shorts, and other media content. Here gough reflects on how his disability informs his work and comedy.

10 Filmmakers to Watch in 2017
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10 Filmmakers to Watch in 2017

We update our 10 Filmmakers to Watch in 2017 list every day for 10 days as we announce each filmmaker. With reader recommendations and industry colleagues, 10 to watch identifies artists who are breaking new ground, either in their own career or in the form at large.

10 Filmmakers to Watch in 2017: Peter Nicks
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10 Filmmakers to Watch in 2017: Peter Nicks

Peter Nicks is on our 10 filmmaker to watch list in 2017 for his film, The Force, a cinema vérité look into the Oakland Police Department from 2014-2016. Nicks had hoped to capture the department emerging out from federal oversight, only to document another scandal. The film is part of a thematic trilogy about institutions and communities in Oakland, California.