Filmmakers and Their Global Lens: Matthu Placek
For this edition of Filmmakers and Their Global Lens, The Independent’s special contributor Dana Knight speaks with the artist Matthu Placek…
For this edition of Filmmakers and Their Global Lens, The Independent’s special contributor Dana Knight speaks with the artist Matthu Placek…
For this edition of Filmmakers and Their Global Lens, The Independent’s special contributor Dana Knight speaks with the filmmaking duo behind…
Gusts of bitingly cold wind eat away at the inch of precocious snow on the ground, offering a fittingly bracing…
In the second edition of our new series, Filmmakers and Their Global Lens, The Independent’s special contributor Dana Knight speaks with the…
In this first edition of our new series, Filmmakers and their Global Lens, The Independent’s special contributor Dana Knight interviews…
Montreal’s Festival du Nouveau Cinema (FNC) is a festival that doesn’t like to be put into neat and tidy boxes….
In Hong Khaou’s Lilting, available on DVD and VOD September 29th, a mother grieves for her son by getting to know her son’s partner. Khaou told The Independent his debut feature came, “from a place that’s deeply personal, especially that of grief. I lost my dad when I was 12 and the character in the film loses her son. So I had to expose myself in a certain way writing this.”
Heroin addiction and life on the New York streets take center stage in Josh and Benny Safdie’s latest, Heaven Knows What. The morning after their North American premiere at TIFF, they riff on the why and what of it all with the film’s star and inspirational scribe, Arielle Holmes.
Sprinkle a little adamant optimism over a new digital partnership with The Flaherty Film Seminar and a heaping embrace of the educational market, and you have a few of the most recent distribution strategies that The Cinema Guild’s Ryan Krivoshey discussed with The Independent’s Courtney Sheehan at TIFF.