Legal: Pay Per View or Mobile Phone
…retains has no present or future use (nothing). Problems come up when, for example, the owner splits the rights, in other words, enters into more than one agreement or licensing…
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Can I Shoot My Low Budget Indie Film in New York City?
Rebecca Reynolds discusses the best practices to afford or manage an indie shoot in New York City.
Interview with Kurdwin Ayub about the film “Mond,” Locarno Film Festival 2024
…lead being almost completely deprived of freedom. With the exception of some visits to a luxury shopping mall, the sisters have no contact with the real world, they are homeschooled…
Defending Tribeca in an Era of Megabrands
…10,000 watched free shows at the Tribeca Drive-In, and 2,000 sat in free conversations. In 2010 TFF’s new creative director and former Sundance head Geoff Gilmore helped innovate a dozen…
Sundance 2013: Short Film Miracles
…post-screening, Q&A session. But this 35-minute, installation-art-turned-experimental short is another matter. While one appreciates the film’s carefully composed cinematography, the free-form images often leave viewers more confused than beguiled by…
“The Profession is Crowded Now”
After a halcyon decade of growth and promise for women in Hollywood, patriarchal, hyper-capitalism closed like a vise around the industry. With this second series installment, Kerry McElroy explores Los Angeles in the 1920s. Women migrating west in large numbers represented an exciting cultural phenomenon but also a social problem that needed to be regulated. Just as the “casting couch” was becoming an entrenched industrial practice, a notorious rape trial shocked the industry and re-victimized women. In the midst of these grim developments, a few actresses did manage to become global, superstars, amassing real wealth.
TIFF 2014: Drafthouse’s Tim League on the State of Distribution and Oppenheimer’s “The Look of Silence”
From his purview at TIFF 2014, Drafthouse’s Tim League weighs what is and isn’t apocalyptic about the future of distribution in a season of down box offices and new acquisitions such as Joshua Oppenheimer’s The Look of Silence.
No Thanks, Take-Back Manifesto
…of the scope of the manifesto: for example, the interactive web documentary Prison Valley, which gathered a community through Twitter and Facebook during the viewing experience. Prison Valley’s presence on…
The FCC Showdown
…with vertical integration comes the possibility of monopsony (the flip side of monopoly, when there is no real competition between companies that will actually purchase a given product or service)…