Tribeca 2017: Critic’s Choices – Documentaries
Film critic Kurt Brokaw offers his favorite picks for documentaries at the 2017 Tribeca Film Festival—Clive Davis: The Soundtrack of Our Lives, Frank Serpico, and Bombshell: The Hedy Lamarr Story.
Film critic Kurt Brokaw offers his favorite picks for documentaries at the 2017 Tribeca Film Festival—Clive Davis: The Soundtrack of Our Lives, Frank Serpico, and Bombshell: The Hedy Lamarr Story.
Kurt Brokaw selects his critic’s choice shorts from the 2017 Tribeca Film Festival—The Amazing Adventures of Wally and the Worm Colin Hanks, Fry Day, Viola, Franca, along with 11th Hour.
Senior Film Critic Kurt Brokaw reviews Jim Sheridan’s film 11th Hour, screening at the 2017 Tribeca Film Festival.
Staff writer Kurt Brokaw reviews ‘Patti Cake$’ and ‘Mensche’, now playing at Lincoln Center/MoMa’s New Directors/New Films Festival March 15-26.
77 World Premieres, 42 Directorial Debuts, 23 VR exhibits and interactive installations from the leading filmmakers, and 11 Award-Winning Films to watch on the last day of the Festival. That’s what Tribeca Film Festival has in store for us this year, and The Independent is there to soak it all up.
Kurt Brokaw selects his favorites from the 45th edition of the fest (27 features, 10 shorts) at the Film Society of Lincoln Center and the Museum of Modern Art screening March 16th –
Films by directors Barbara Kopple, Kristina Sorge, Douglas Sloan, Kent Jones, Jason Hutt, Marc Levin, Stephen Maing, Jimmy Goldblum, and Amy Berg are Kurt Brokaw’s critic’s picks from DOC NYC, the all-documentary festival that runs from November 12-19, 2015.
Remember 2008’s spectacular doc-based-on-a-book Man On Wire? Now it’s fictionalized as The Walk and Kurt Brokaw LOVED it. Find out what else our senior critic adored at this year’s New York Film Festival, running September 25-October 11, 2015.
Fittingly, Frederick Wiseman attended the 40th edition of the Toronto International Film Festival with his 40th documentary, In Jackson Heights, about a diverse New York neighborhood in flux. The Independent asks Wiseman to discuss the editing process, the communities he discovered in Jackson Heights, and the notion of screening all of his films in a continuous 100 hour stretch.