Filmmakers and Their Global Lens: The Yes Men
For this edition of Filmmakers and Their Global Lens, The Independent’s special contributor Dana Knight speaks with the comedy troupe, The…
For this edition of Filmmakers and Their Global Lens, The Independent’s special contributor Dana Knight speaks with the comedy troupe, The…
For this edition of Filmmakers and Their Global Lens, The Independent’s special contributor Dana Knight speaks with the artist Matthu Placek…
For this edition of Filmmakers and Their Global Lens, The Independent’s special contributor Dana Knight speaks with the filmmaking duo behind…
Gusts of bitingly cold wind eat away at the inch of precocious snow on the ground, offering a fittingly bracing…
Sprinkle a little adamant optimism over a new digital partnership with The Flaherty Film Seminar and a heaping embrace of the educational market, and you have a few of the most recent distribution strategies that The Cinema Guild’s Ryan Krivoshey discussed with The Independent’s Courtney Sheehan at TIFF.
Cinema Politica is the world’s largest campus and community-based documentary screening network, reaching a total audience of over one million across its network each year. Engaged, questioning, eager to take action: this is the type of audience filmmakers dream of.
From his purview at TIFF 2014, Drafthouse’s Tim League weighs what is and isn’t apocalyptic about the future of distribution in a season of down box offices and new acquisitions such as Joshua Oppenheimer’s The Look of Silence.
Michael Apted talked with Canon’s factory workers and artisans in Japan, as well as the filmmakers who have used those lenses, in his latest documentary, Bending the Light. Rebecca Reynolds caught up with him (on camera!) at the Traverse City Film Festival.
From making news to making indie films, Miho Yamamoto is on our 10 to Watch list for her work on the powerful documentary about one of Canada’s most horrific crimes, <i>The Exhibition</i>.