Acclaimed actor Stephen Lang’s impressive career moves easily between indies such as this fall’s hit horror film Don’t Breathe and big studio films such as Public Enemies and Tombstone. Here he tells how his most personal indie project led to his biggest studio movie and how the two remain intertwined to this day.
Abatemarco, who spent nearly seven years making Kivalina, advises first-time documentarians to recognize that some of the hardest work of making a film is not technical or financial, but interpersonal. “It’s about your relationship with your subjects over time. That is the real work and the real difficulty. Somehow you’ll find the money but the most difficult work is to carry the story for however long you have to carry it, because these are heavy subject matters.”
There was some judgment in some way by the choice of the locations. By the facts we wanted to stress in our narration. None of the locations were there just for fun, they should all tell something for those who want to read between the lines, so there is some criticism of mankind. But besides that it’s true, the audience is very much invited to basically see their own film.
When De Pue returned by himself to Afghanistan, he realized he “had to rethink the way of filming and the way of working in Afghanistan, to go back to a really low profile way like we did in the preparations.”
The Lost Arcade is the feature documentary debut of director Kurt Vincent and producer Irene Chin. The film captures the…
The Independent’s Mike Sullivan talks with Scott Brock, who has worked as an editor and consultant with our 10 to Watch filmmaker Thomas Ikimi on several of his projects.
Using cameras on mobile phones with some clever adaptations, cinematographer Radium Cheung brought his vast experience and unique sensibilities to Tangerine, the story of a transgendered prostitute in Los Angeles. The result is an eye-popping yet humanistic look at a hard world.
The Independent’s special contributor Dana Knight speaks with the director of Switzerland’s submission for “Best Foreign Film” at the 2015 Academy Awards.
For this edition of Filmmakers and Their Global Lens, contributor Dana Knight spoke with Tony Shaff about his film Hotline at DOC NYC.