New Directors/New Films 2016 – Critic’s Choice
Kurt Brokaw selects his favorites from the 45th edition of the fest (27 features, 10 shorts) at the Film Society of Lincoln Center and the Museum of Modern Art screening March 16th –
Kurt Brokaw selects his favorites from the 45th edition of the fest (27 features, 10 shorts) at the Film Society of Lincoln Center and the Museum of Modern Art screening March 16th –
Senior Critic, Kurt Brokaw views all 21 features at the 21st annual festival which runs March 3rd to 13th
Slave rebellion, a romance for the history books, and girls being their odd, tough selves combine for one potent antidote to Hollywood’s dearth of black lives on screen. Credit goes to Sundance 2016, according to staff writer Neil Kendricks, who says this festival “defiantly flies a multi-racial flag of true diversity.”
In its 10th year, Sundance’s New Frontier section abounded with cutting edge technology and immersive, VR experiences. Neil Kendricks and Maddy Kadish wore the headsets, goggles, and assorted cutting-edge tech in order to leave Park City momentarily behind and glimpse the future of storytelling.
Remember 2008’s spectacular doc-based-on-a-book Man On Wire? Now it’s fictionalized as The Walk and Kurt Brokaw LOVED it. Find out what else our senior critic adored at this year’s New York Film Festival, running September 25-October 11, 2015.
Rendez-vous with French Cinema returns to New York for its 20th year with 22 North American premieres. Senior critic, Kurt Brokaw, sees the slate and divides his favorites into Youth and Crime. With Martin Scorsese as one of this year’s co-chairs, Brokaw insists that indeed, crime does pay.
The film’s title is a strange dichotomy, writes Maddy Kadish from Sundance 2015, and the first part of Nasty Baby “is like a fantasy you don’t want to end.” She and a fellow audience member confer and decide that this film takes a dark turn, and doesn’t come back.
Felix and Meira (Maxine Giroux. 2014. Canada. 105 min) Last year’s Closing Night selection at NYJFF was Ida, this writer’s…
“Too much ain’t enough” might be the cry-of-the-night heard throughout the recent 52nd New York Film Festival and this past…