Series

Women in Film Portraits: Alicia Slimmer

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In this installment of Women in Film Portraits, Lauren Sowa profiles Alicia Slimmer, Director of the Award-Winning narrative feature Creedmoria. Slimmer discusses the making of the film, its musical influences, and its festival run. In addition, Slimmer shares lessons learned in Directing Creedmoria and offers advice to women working in the film industry today. Creedmoria will be released May 18th on Amazon, iTunes, and Google Play.

The Global Screen: Isaac Rooks

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In this first installment of The Global Screen essay series, Isaac Rooks writes about Shin Jeong-won’s gruesome farce, Chaw, which Rooks suggests offers more than the spectacle of a giant boar slaughtering drunken revelers at a karaoke celebration. In this essay, Rooks explores how Shin’s film utilizes practical and conceptual resources from around the world to address global audiences about common concerns.

Women in Film Portraits: Caroline Mariko Stucky

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In this installment of Women in Film Portraits, Lauren Sowa profiles Caroline Mariko Stucky, an award-winning, Swiss-Japanese filmmaker and cinematographer with a fierce passion for American culture. For Caroline, film is the ultimate language. It surpasses the kaleidoscope of spoken languages that informed her childhood. In this interview, Caroline shares about coming to the United States and about taking on a predominantly male creative roles.

The Global Screen: An Essay Series on Contemporary World Cinema

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The Independent announces The Global Screen, a series of bi-monthly essays written by film scholars and academics interested in engaging with our readership of filmmakers, directors, artists, and activists. The series is edited by Dr. Jayson Baker, Assistant Professor in Communications at Curry College. In this introduction, Dr. Baker provides a summary of the series and a context for its purpose at this time. Essays in The Global Screen will be published over the course of the year, beginning at the end of March.

Women in Film Portraits: Kaliya Warren

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In this installment of Women in Film Portraits, Lauren Sowa interviews Kalyia Warren, the Writer/Director behind Expatriates—a love story that follows two multiracial dirt bike riders from Egypt to Cape Town. The film, now its final developments, was inspired by the people Warren I’ve met while traveling on the African continent. Warren is a graduate of NYU and is currently based in New York City.

Women in Film Portraits: Natasha Kermani

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Women in Film Portraits is a series by Artist Lauren Sowa about up-and-coming female independent filmmakers. In this first installment, Lauren interviews Iranian-American Director Natasha Kermani about major themes in her work. Look for Women in Film Portraits interviews each month at The Independent. 

 

 

Women In Film Portraits: A New Series

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Women in Film Portraits is a series by Lauren Sowa about supporting, cheering, helping, and connecting with up-and-coming creative artists. In an industry where female voices are still underrepresented, this project is timely and vital. The series will launch in January with a profile of Iranian-American Director Natasha Kermani.  New interviews will appear monthly at the magazine.

10 Filmmakers to Watch in 2017

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We update our 10 Filmmakers to Watch in 2017 list every day for 10 days as we announce each filmmaker. With reader recommendations and industry colleagues, 10 to watch identifies artists who are breaking new ground, either in their own career or in the form at large.

10 Filmmakers to Watch: Lucie Guest

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Lucie Guest is on our 10 to watch for her work as an actress, writer, and director in her award-winning short film, Never Better, about a loveable loser and the search for closer at the end of a relationship.

Festival Diary: Edinburgh International Film Festival (Part Four)

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I can scarcely believe that EIFF 2015 is behind us. No longer will I have the routine of looking at my carefully composed screening spreadsheet as my night ends, in order to plan the next morning’s viewing. Writing this article amidst the hubbub of excited conversation is the last time I will get to sit in Festival HQ for 2015, amongst creators and consumers of world class cinema. It has been wonderful to be involved in this celebration of what film can achieve.