Articles

Women in Film Portraits: Caroline Mariko Stucky
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Women in Film Portraits: Caroline Mariko Stucky

In this installment of Women in Film Portraits, Lauren Sowa profiles Caroline Mariko Stucky, an award-winning, Swiss-Japanese filmmaker and cinematographer with a fierce passion for American culture. For Caroline, film is the ultimate language. It surpasses the kaleidoscope of spoken languages that informed her childhood. In this interview, Caroline shares about coming to the United States and about taking on a predominantly male creative roles.

Rendez-vous With French Cinema – March 8-18
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Rendez-vous With French Cinema – March 8-18

This March, Rendez-Vous with French Cinema returns to Lincoln Center celebrating the  richness, originality, and craft of contemporary French filmmaking. The festival, organized by  Florence Almozini and Dennis Lim, runs from March 8th through the 18th. Senior Film Critic Kurt Brokaw offers insightful reviews of his favorites and information on screenings.

An Evening with a True Artist: Werner Herzog

An Evening with a True Artist: Werner Herzog

Werner Herzog’s 2016 documentary Into the Inferno recently screened to a packed crowd at The Coolidge Corner Theater in Brookline, Massachusetts. Herzog was there to accept the 2018 Coolidge Award and to participate in a Q&A. Mike Sullivan shares this appreciation of the filmmaker and highlights from the event.

 

 

Women in Film Portraits: Kaliya Warren
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Women in Film Portraits: Kaliya Warren

In this installment of Women in Film Portraits, Lauren Sowa interviews Kalyia Warren, the Writer/Director behind Expatriates—a love story that follows two multiracial dirt bike riders from Egypt to Cape Town. The film, now its final developments, was inspired by the people Warren I’ve met while traveling on the African continent. Warren is a graduate of NYU and is currently based in New York City.

Natasha Kermani on set of Imitating Girl

Women in Film Portraits: Natasha Kermani

Women in Film Portraits is a series by Artist Lauren Sowa about up-and-coming female independent filmmakers. In this first installment, Lauren interviews Iranian-American Director Natasha Kermani about major themes in her work. Look for Women in Film Portraits interviews each month at The Independent. 

 

 

New York Jewish Film Festival – January 10-23
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New York Jewish Film Festival – January 10-23

The Jewish Museum and the Film Society of Lincoln Center have partnered again in producing the 27th annual New York Jewish Film Festival. The festival showcases films from around the world that explore the diversity of Jewish experience. The Independent’s Senior Film Critic, Kurt Brokaw, was at this year’s festival and shares his favorites from a thrilling lineup of documentary, narrative, and short forms.

Women In Film Portraits: A New Series
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Women In Film Portraits: A New Series

Women in Film Portraits is a series by Lauren Sowa about supporting, cheering, helping, and connecting with up-and-coming creative artists. In an industry where female voices are still underrepresented, this project is timely and vital. The series will launch in January with a profile of Iranian-American Director Natasha Kermani.  New interviews will appear monthly at the magazine.

New Horizons of Virtual Reality: Exploring Utopia Through the Evolution of Second Life

New Horizons of Virtual Reality: Exploring Utopia Through the Evolution of Second Life

Annie Berman, named one of The Independent’s ten filmmakers to watch (2016), is a media artist living and working in New York City. Her background in photography and psychology inspires work about visual culture, virtual realities, and the changing media landscape. Her films, videos, performances, and installations have shown internationally including at the Museum of Modern Art’s Doc Fortnight, Rooftop Films, Galerie Patrick Ebensperger Berlin, Kassel Hauptbahnhof, and the Rome Independent Film Festival where she was awarded the Best Experimental Film Prize. Recently,  Annie spoke with The Independent’s editor about her newest VR project—an exploration of the possibilities and limitations of virtual reality through the aftermath of Second Life.