Sundance 2015 – Robert Redford + George Lucas = Inspiration
Staff writer Neil Kendricks recaps how Robert Redford and George Lucas became icons of contemporary cinema during a candid conversation at the 2015 Sundance Film Festival.
Neil Kendricks is a filmmaker, artist, photographer, writer, and educator. Kendricks earned a Master’s degree in Television, Film and New Media from San Diego State University in 2006. His award-winning short films like 2002’sLoop have screened at numerous international film festivals including the Palm Springs International Festival of Short Films, the Havana Film Festival, and a special short-film screening at the 2003 Cannes Film Festival’s American Pavilion. Kendricks’ 2015 experimental short Memory Lines screened at the Stockholm Experimental and Animation Festival, among others. His 2015 experimental short Suspension is currently on the film-festival circuit and the film has screened at the London Experimental Film Festival, Serbia’s Experimental Superstars Festival, and the Staunton International Film Festival, among others.
Kendricks’ photography has also been exhibited at the San Diego Museum of Art, the African-American Museum of Fine Arts, London’s Royal College of Art, and other venues. His first solo photography exhibition, “Bruised Eye Candy” was shown at San Diego’s Spacecraft gallery in 2008. Kendricks also produced, production designed and storyboarded media theorist Jordan Crandall’s film, “Heatseeking,” which was exhibited in the Whitney Museum of American Art’s “BitStream” exhibition, the first digital-arts exhibition shown at a major American art museum. Kendricks is currently working on his feature-length documentary-in-progress Comics Are Everywhere!
Staff writer Neil Kendricks recaps how Robert Redford and George Lucas became icons of contemporary cinema during a candid conversation at the 2015 Sundance Film Festival.
This article was originally published on June 5th 2013, Stanley Kubrick: the exhibition can now be seen as part of the…
Despite the unavoidable Park City glitz, Neil Kendricks writes, “Sundance still provides a forum for much-needed cinematic troublemakers.” Read how three films in particular grabbed him by the collar, <i>Only Lovers Left Alive, 20,000 Days on Earth</i>, and <i>Rat Pack Rat</i>.
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