Fever Dreams, Middle-Eastern Video Diaries, the Quest for Inspiration, and Memories on Tap
Utah, PARK CITY – For filmmakers, screenwriters, video artists and actors looking for inspiration or funding, or both, the 2012…
Features
Alchemy Springs from the Striking Artistry of Sundance Shorts
Utah, PARK CITY – When it comes to challenging and adventurous short films, the 2012 Sundance Film Festival’s mojo was…
Approaches to End of the World Docs
Two social justice docs at IDFA targeted and systematically attacked the same universal villain: progress. Four Horsemen and Surviving Progress…
Of-the-Moment Tips on Funding Indies, Social Media, Genre Films, TV Pitches and More
The hot topic at this fall’s BNA Atlas International Film & TV Finance Summit, the 11th Annual in New York,…
State of the Film Industry in Southeast Europe
Courtney Sheehan explores the film industry of Southeast Europe. Looking at how their style grew out of the impact of the Yugoslav wars on the area.
Friend Your College Film Programmer, Pronto!
Imagine if someone gave you over $50,000 to use for programming the film schedule at a movie theater for nine…
10 Filmmakers to Watch in 2011
It’s time for our annual 10 Filmmakers to Watch list. We’ve pooled our resources and brainpower to get the scoop…
Beyond a Social Network
South by Southwest (SXSW) has become a convergence of film, interactive media, and music, as the lines between these media…
Essays | Features | Interviews | Opinion
Whose Hugo?
David Pierotti writes an ode to the book “The Epicure’s Lament” by Kate Christensen, where he talks to Christensen and goes into the movie adaption of the book and how the book is connected to his own life.