“With short films, you have to show your entire world in a split second,” said producer Rasmus Kastberg after the screening his animated short Tupilaq at Sundance 2015. Maddy Kadish highlights this and a handful of other films from this year’s program of 60, selected from 8,061 submissions.
The film’s title is a strange dichotomy, writes Maddy Kadish from Sundance 2015, and the first part of Nasty Baby “is like a fantasy you don’t want to end.” She and a fellow audience member confer and decide that this film takes a dark turn, and doesn’t come back.
Felix and Meira (Maxine Giroux. 2014. Canada. 105 min) Last year’s Closing Night selection at NYJFF was Ida, this writer’s #1 foreign film of the entire year. In that Polish masterpiece, an orphaned novitiate in a 1960s convent visits her retired aunt and discovers she’s not a Catholic girl but a Jewish girl. Her identity… Read more »
“Too much ain’t enough” might be the cry-of-the-night heard throughout the recent 52nd New York Film Festival and this past spring’s Tribeca film fest now in its 12th year. Not to be outdone in a town where nothing succeeds like excess, DOC NYC has burst out of its five-screen IFC Center and twin-screen SVA theater… Read more »
This article was originally published on June 5th 2013, Stanley Kubrick: the exhibition can now be seen as part of the Toronto International Film Festival between October 31st 2014 to January 25th 2015. Cinephiles and art lovers alike who will make the trek to the Los Angeles County Museum of Art (LACMA) to see the popular… Read more »
Kurt Brokaw returns to the New York Film Festival as our senior critic for the fifth consecutive year. No film is left behind as he chooses his favorites, with reviews starting now and coming in over the next week. The festival runs September 26th through October 12th.
New York Film Festival’s transmedia track, Convergence, gets a visit from The Independent’s Anisha Jhaveri. She reviews two audience-driven projects, Immigrant Nation and Artifact of Fukushima: Selections From Unknown Spring.
With Boyhood, “Richard Linklater, already one of America’s most persistently inventive independent filmmakers, has made movie history with the longest real-time dramatic memoir,” writes senior critic Kurt Brokaw. Read his mostly admiring review here.
Of Tribeca’s 89 features and 60 shorts, senior critic Kurt Brokaw elaborates on his favorites. <i>Chef, Venus in Fur</i> and <i>Virunga</i> started us off and <i>Dior and I, Helium, Today’s the Day, Love In the Time of March Madness, Human Voice, Shaking Free</i> and <i>The Vortex Finds a Host</i> round off the list.