Artifacts from Cinematic Heaven and Hell: The Kubrick Cult Moves to TIFF
This article was originally published on June 5th 2013, Stanley Kubrick: the exhibition can now be seen as part of the…
This article was originally published on June 5th 2013, Stanley Kubrick: the exhibition can now be seen as part of the…
Kurt Brokaw returns to the New York Film Festival as our senior critic for the fifth consecutive year. No film is left behind as he chooses his favorites, with reviews starting now and coming in over the next week. The festival runs September 26th through October 12th.
New York Film Festival’s transmedia track, Convergence, gets a visit from The Independent’s Anisha Jhaveri. She reviews two audience-driven projects, Immigrant Nation and Artifact of Fukushima: Selections From Unknown Spring.
In Hong Khaou’s Lilting, available on DVD and VOD September 29th, a mother grieves for her son by getting to know her son’s partner. Khaou told The Independent his debut feature came, “from a place that’s deeply personal, especially that of grief. I lost my dad when I was 12 and the character in the film loses her son. So I had to expose myself in a certain way writing this.”
Join The Independent and our archiving partner, UMass Amherst Libraries, for a celebration of the launch of our new website and digitized archive. Hosted by UMass Boston Film Series, the FREE evening includes a reception, screening of Captivated: The Trials of Pamela Smart, and panel discussion. Open to all. Starts at 6pm.
Heroin addiction and life on the New York streets take center stage in Josh and Benny Safdie’s latest, Heaven Knows What. The morning after their North American premiere at TIFF, they riff on the why and what of it all with the film’s star and inspirational scribe, Arielle Holmes.
Sprinkle a little adamant optimism over a new digital partnership with The Flaherty Film Seminar and a heaping embrace of the educational market, and you have a few of the most recent distribution strategies that The Cinema Guild’s Ryan Krivoshey discussed with The Independent’s Courtney Sheehan at TIFF.
Cinema Politica is the world’s largest campus and community-based documentary screening network, reaching a total audience of over one million across its network each year. Engaged, questioning, eager to take action: this is the type of audience filmmakers dream of.
From his purview at TIFF 2014, Drafthouse’s Tim League weighs what is and isn’t apocalyptic about the future of distribution in a season of down box offices and new acquisitions such as Joshua Oppenheimer’s The Look of Silence.