Stephanie Stender interviews director Claire Andrade-Watkins about her documentary Some Kind of Funny Porto Rican?”: A Cape Verdean American Story and its continuing legacy 13 years after its release.
Senior Film Critic Kurt Brokaw reviews his picks for short films from the 18th Annual Tribeca Film Festival—Carlito Leaves Forever directed by Quentin Lazzarotto; The Neighbors’ Window directed by Marshall Curry; The History of White People in America: These American Truths directed by Ed Bell, Clementine Briand, Pierce Freelon, Jon Halperin, Aaron Keane, and Drew Takahashi; and Learning to Skateboard in a Warzone (if you’re a girl) directed by Carol Dysinger.
Senior Film Critic Kurt Brokaw reviews his picks for feature and documentary films from the 2019 Tribeca Film Festival—Gay Chorus Deep South directed by David Charles Rodriques; The Apollo directed by Roger Ross Williams; Georgetown directed by C.Waltz; and Other Music directed by Puloma Basu.
A conversation between editor Michele Meek and contributor Emily Watlington about the new book Independent Female Filmmakers, which recounts the legacy of 15 groundbreaking female filmmakers from Deepa Mehta to Cheryl Dunye to Martha Coolidge, while also highlighting the history of The Independent itself.
Directors, Writers, and Editors Deragh Campbell and Sofia Bohdanowicz are adept at indie film budgeting or what they call the “microbudget.” In this interview, they talk about creating and funding their film, sharing some of the tips they’ve learned along the way, such as keeping the shoot to a minimal number of days, finding locations that would offer space for free, and raising funds from Canadian grants and screening fees.
Macedonian filmmaker Teona Mitevska’s film Gospod postoi, imeto i’ e Petrunija or God Exists, Her Name Is Petrunya, begins on an ordinary…
Jennifer Reeder’s Knives and Skin is a cult classic ready to happen. A truly original, weird, and eerie film that…
Winning the Generation KPlus Crystal Bear for Best Film at this year’s Berlinale, Une Colonie, directed by Geneviève Dulude-De Celles, tells the coming-of-age…
In this interview, co-writers and co-directors Elle-Máijá Tailfeathers and Kathleen Hepburn talk with Michele Meek at Berlinale about some of the aesthetic and practical choices that went into making the film The Body Remembers When the World Broke Open.