Senior Film Critic Kurt Brokaw reviews the 2021Tribeca Festival, which celebrates its 20th anniversary. He spotlights the Warner Bros. musical In the Heights and Michèle Stephenson’s Stateless, two movies tied to the Dominican Republic in two very different ways. He also reviews Coded, Ryan White’s short documentary about J. C. Leyendecker, and The Queen of Basketball, Ben Proudfoot’s documentary on basketball pioneer, Lusia Harris-Stewart.
Film at Lincoln Center (FLC) reopens on April 16 with a celebration of the 50th-anniversary edition of New Directors/New Films…
Spring is busting out all over New York City, with cinemas scheduled to open March 5 (25% capacity, 50-seat maximum)….
Do you remember the last movie you saw in a real theater, up on a big screen? Our memories grow…
Consider for a moment what’s been recently showing in two very different movie-going Americas. On Oct. 30 The New York…
Film at Lincoln Center recently announced the 25 films that comprise the Main Slate of the 58th New York Film…
The 48th annual edition of ND/NF, curated by The Film Society of Lincoln Center and Manhattan’s Museum of Modern Art, spotlights 35 features and shorts from promising directors worldwide. Senior film critic Kurt Brokaw examines five dramas and documentaries, including Chinonye Chukwa’s Opening Night prison drama, Clemency, premiering in New York just 13 days after California’s governor granted temporary reprieves to over 700 inmates on the state’s death row.
A conversation between editor Michele Meek and contributor Emily Watlington about the new book Independent Female Filmmakers, which recounts the legacy of 15 groundbreaking female filmmakers from Deepa Mehta to Cheryl Dunye to Martha Coolidge, while also highlighting the history of The Independent itself.
Rendez-Vous With French Cinema unreels in Lincoln Center February 28-March 10. The 24th annual edition, co-sponsored by The Film Society of Lincoln Center and UniFrance, presents nearly two dozen new French dramas, most having their US or New York premieres. Senior film critic Kurt Brokaw viewed everything available and selects Invisibles (above), Paul Sanchez Is Back!, and Raising Colors as favorites. Read those reviews here.