Demetri Martin brings his unique brand of visual humor to the big screen in the new dramedy Dean. The Independent’s Evan Crean spoke with Martin about his move to directing, his many lessons learned, and where the ideas for his artwork and comedy originate.
With its kitchen-sink realism and cinematographer Ante Cheng’s moody, black-and-white camerawork, the filmmaker’s quasi-autobiographical Gook stems from his childhood memories about his father defending the family business during 1992’s Los Angeles riots following the notorious, not-guilty verdicts of the four LAPD officers involved in the 1991 beating of the late Rodney King.
Three filmmaking musketeers, writer-director Charlotte “Charlie” Wells, producer Joy Jorgensen, and editor Blair McClendon, enrolled in the Masters of Fine Arts program at New York University’s Tisch School of the Arts, put their heads together to create the short film Laps. It premiered at the 2017 Sundance Film Festival.
After a post-screening Q&A session, Cabral, 28, spoke to Neil Kendricks about his risky modus operandi and tackling the challenging logistics of filming on location in the Najayo prison where approximately 70,000 prisoners are crammed into a facility built for 20,000 inmates. Sometimes, art can emerge from the most unlikely places.
Before there was independent film, there was Cassavetes. In John Crittenden’s brooding cover photo to Gabriella Oldham’s 24 gathered interviews and solo statements from 1958 to 1985, he’s guarded, challenging, looking half-ready to give the interviewer a piece of his mind at any moment. Cassavetes died in 1989 at 60, having written and directed nine… Read more »
Twenty years ago Independent contributor Dana Harris sat opposite filmmakers Jim McKay and Lauren Zalaznick in a Soho coffee shop to talk Girls Town, the duo’s comedy-drama that embraced improv to explore the lives of teenage girls. Two decades have passed — with McKay going on to direct episodes of The Wire, Big Love, and Law & Order and Zalaznick going on to be an accomplished television executive — but this interview preserves a moment in which the two explore a new dimension for women in film.
Now I Know is an ongoing series in which independent filmmakers share solutions to hurdles they’ve encountered while transforming an idea into an independent film. This includes all aspects of the transformation, including pre-production, production, post-production, and distribution. Here, filmmaker Reshel Shah Kapoor talks about what she learned about getting her work into festivals.
Acclaimed actor Stephen Lang’s impressive career moves easily between indies such as this fall’s hit horror film Don’t Breathe and big studio films such as Public Enemies and Tombstone. Here he tells how his most personal indie project led to his biggest studio movie and how the two remain intertwined to this day.
How does Rod Blackhurst bring a fresh perspective to the zombie film? In anticipation of Blackhurst’s Tribeca debut of “Here Alone,” filmmaker Larry Brand asks Blackhurst about his creative process, his relationship to audiences, and his plans for the future.
Collaborators in life and work, the husband/wife team of Stéphan Beaudoin and Sophie-Anne Beaudry join The Independent’s 10 Filmmakers to Watch in 2016 for their upcoming feature Yankee, which explores the idea of a woman entering traditionally male-dominated domains of violence. Here, they talk about Yankee, self-financing a film, and shooting on location.