Actor, writer, and musician Zoe Lister-Jones makes her directorial debut with the dramedy Band Aid. The Independent’s Evan Crean caught up with Lister-Jones about the film’s exploration of a long term relationship–its deep wounds and power dynamics–her decision to hire an all-female crew for Band Aid, and how Jewish identity enters into her art.
At the corner of Chinatown and North Beach sits a deceptively small white door, leading to the huge space – and vision – of FilmHouse, the San Francisco Film Society’s new home for Filmmaker360. The building opened this September and, other than FilmHouse, it is still under construction. The FilmHouse space is modern and full… Read more »
This article was originally published on June 5th 2013, Stanley Kubrick: the exhibition can now be seen as part of the Toronto International Film Festival between October 31st 2014 to January 25th 2015. Cinephiles and art lovers alike who will make the trek to the Los Angeles County Museum of Art (LACMA) to see the popular… Read more »
Is our nostalgia for the 80s replacing our nostalgia for the 50s? Michele Meek suggests so, using a resurgence of interest in Keva Rosenfeld’s 1987 documentary, <i>All American High</i>, as her primary example. It screens March 9th and 12th at SXSW.
In the land of Hollywood hyphens, the Trost family shares more than titles and a familiar last name. Together, they have enough skills to staff their own projects. That’s one reason brother and sister Jason Trost and Sarah Trost recently collaborated on three indie features: The FP, All Super Heroes Must Die, and Wet and… Read more »
Director Chris Paine is back with a follow-up to his highly touted documentary, Who Killed the Electric Car?, which celebrated the birth and mourned the death of the electric car. With help from a cast of unwavering advocates, Paine resurrects the vehicle in Revenge of the Electric Car. The electric car’s time has come, proposes… Read more »
When describing their work, directors often talk about their need to reveal the truth. In her narrative feature Losing Control, scientist-turned-filmmaker, Valerie Weiss, shows us how both science and filmmaking involve the pursuit of truth. Weiss wrote a film journal (see links below) for The Independent throughout the making of her film, a comedy about… Read more »
In my last film journal, I talked about the production of my feature independent film, Losing Control, a quirky, romantic comedy about a female scientist who wants proof that her boyfriend is “the one.” I discussed the trials of production—locations falling through, lack of sleep, and stretching an already thin budget with an overly ambitious… Read more »
In my last installment of my film journal, I wrote about the importance of pre-production for laying the groundwork for principal photography. What I learned during principal photography was that no matter how much you prepare, how long you plan, things will change—locations fall through, actors’ availabilities shift, and you need to continue pre-production into… Read more »
In my first two installments of my Film Journal for The Independent, I wrote about the philosophy behind the $200,000 independent film. In this installment, I will talk about laying the groundwork to make our film at this budget, the period known as pre-production, and how the making of Losing Control reinforced the film’s theme… Read more »