Actor, writer, and musician Zoe Lister-Jones makes her directorial debut with the dramedy Band Aid. The Independent’s Evan Crean caught up with Lister-Jones about the film’s exploration of a long term relationship–its deep wounds and power dynamics–her decision to hire an all-female crew for Band Aid, and how Jewish identity enters into her art.
Lucie Guest is on our 10 to watch for her work as an actress, writer, and director in her award-winning short film, Never Better, about a loveable loser and the search for closer at the end of a relationship.
Fawzia Mirza makes our 10 Filmmakers to Watch list for 2017 with her film Signature Move, a feature that she co-wrote, produced, and stars in, which premiered at SXSW. The film tells the story of a Muslim lesbian in a new relationship, her Lucha-style wrestling, and the pressures of her conservative live-in mother. It is a romantic comedy.
Australian filmmaker Kitty Green makes our 10 Filmmakers to Watch in 2017 list with her documentary Casting JonBenet, where she not only sheds new light on a 20-year old crime, but bends the form of documentary.
Filmmaking team Sonja O’Hara and Jaspal Binning make our 10 to watch list in 2017 for their webseries <em>Doomsday</em> about cult in upstate New York awaiting the end of days. The duo created, produced, directed, and star in the series. O’Hara is the script writer.
Demetri Martin brings his unique brand of visual humor to the big screen in the new dramedy Dean. The Independent’s Evan Crean spoke with Martin about his move to directing, his many lessons learned, and where the ideas for his artwork and comedy originate.
Film Critic Maddy Kadish details new advances in virtual reality storytelling through her highlights of the Immerse section at the 2017 Tribeca Film Festival.
Film critic Evan Crean reviews Matthew Heineman’s documentary “City of Ghosts,” which screened at the 2017 Independent Film Festival Boston (IFFBoston).
Film critic Evan Crean reviews Jeremy S. Levine and Landon Van Soest’s documentary For Ahkeem, which screened at the 2017 Independent Film Festival Boston (IFFBoston).