De Pue was nervous about working with so many co-producers. “I was a bit afraid about it, I learned in school about it. When you have all these co-producers they bring in money but they also have their artistic choices and they can get involved at some point.
Senior Critic, Kurt Brokaw views all 21 features at the 21st annual festival which runs March 3rd to 13th
When De Pue returned by himself to Afghanistan, he realized he “had to rethink the way of filming and the way of working in Afghanistan, to go back to a really low profile way like we did in the preparations.”
The Lost Arcade is the feature documentary debut of director Kurt Vincent and producer Irene Chin. The film captures the…
Slave rebellion, a romance for the history books, and girls being their odd, tough selves combine for one potent antidote to Hollywood’s dearth of black lives on screen. Credit goes to Sundance 2016, according to staff writer Neil Kendricks, who says this festival “defiantly flies a multi-racial flag of true diversity.”
In its 10th year, Sundance’s New Frontier section abounded with cutting edge technology and immersive, VR experiences. Neil Kendricks and Maddy Kadish wore the headsets, goggles, and assorted cutting-edge tech in order to leave Park City momentarily behind and glimpse the future of storytelling.
What has been an absence of cinematic dialogue about gun access and violence in the United States was filled with both documentaries and fiction features at Sundance 2016. The Independent’s Maddy Kadish and Neil Kendricks debate the merits and emotional impact of several titles.
Now in its eighth year, The Independent’s 10 Filmmakers to Watch highlights filmmakers – producers, programmers, animators, and others – whose upcoming work we think will wow you this year. Submit your nominations by February 15, 2016.
Senior film critic Kurt Brokaw selects his favorites from the 25th edition of the NYJFF, which runs January 13-26, 2016. Among them are Ellis, Rabin, The Last Day, Dear God, and The Law.