The Lost Arcade: Video Games on Film
The Lost Arcade is the feature documentary debut of director Kurt Vincent and producer Irene Chin. The film captures the…
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Sundance 2016: Where Black Lives Matter
Slave rebellion, a romance for the history books, and girls being their odd, tough selves combine for one potent antidote to Hollywood’s dearth of black lives on screen. Credit goes to Sundance 2016, according to staff writer Neil Kendricks, who says this festival “defiantly flies a multi-racial flag of true diversity.”
Sundance 2016: New Frontier’s VR Spectacles
In its 10th year, Sundance’s New Frontier section abounded with cutting edge technology and immersive, VR experiences. Neil Kendricks and Maddy Kadish wore the headsets, goggles, and assorted cutting-edge tech in order to leave Park City momentarily behind and glimpse the future of storytelling.
Sundance 2016: Films On Gun Violence
What has been an absence of cinematic dialogue about gun access and violence in the United States was filled with both documentaries and fiction features at Sundance 2016. The Independent’s Maddy Kadish and Neil Kendricks debate the merits and emotional impact of several titles.
10 Filmmakers to Watch 2016: Call for Nominations
Now in its eighth year, The Independent’s 10 Filmmakers to Watch highlights filmmakers – producers, programmers, animators, and others – whose upcoming work we think will wow you this year. Submit your nominations by February 15, 2016.
New York Jewish Film Festival 2016 – Critic’s Choices
Senior film critic Kurt Brokaw selects his favorites from the 25th edition of the NYJFF, which runs January 13-26, 2016. Among them are Ellis, Rabin, The Last Day, Dear God, and The Law.
RIDM 2015: Trials of Style
“Sometimes I’m watching what I’ve shot and I’m like, ‘I could have never written that dialogue.’ People are really good actors in documentary,” said Montreal-based filmmaker Jean-François Lesage about making his doc, A Summer Love. Lesage and four other filmmakers with work screening at the 2015 RIDM Film Festival sat down with The Independent’s Patrick Pearce to talk elements of film style.
Agnès Varda Reflects on “Jane B. by Agnès V.” and “Kung-Fu Master!”
Upon the digital restoration and US release of Jane B. by Agnès V. and Kung-Fu Master! the ever-iconic Agnès Varda tells The Independent: “A lot of people love my films but I don’t know if they are commercial. That’s why I always say, ‘I don’t have a career, I just made films.’ I am marginal and I am happy to be marginal because I’m very well known in these marginal circles of cinephiles.”
Radu Jude’s “Aferim!” is Miles Away From Minimalism
Director Radu Jude talks to The Independent about how his latest, Aferim!, may seem Shakespearian but actually uses language discovered in archival literary texts and other documents. And if you’re wondering where he’s headed next, it’s into an adaptation of work by novelist Max Blecher, sometimes called Romania’s Kafka.