Interviews

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    Sundance Coverage: The Fire This Time

    With its kitchen-sink realism and cinematographer Ante Cheng’s moody, black-and-white camerawork, the filmmaker’s quasi-autobiographical Gook stems from his childhood memories about his father defending the family business during 1992’s Los Angeles riots following the notorious, not-guilty verdicts of the four LAPD officers involved in the 1991 beating of the late Rodney King.

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    All for One, One for All: Laps

    Three filmmaking musketeers, writer-director Charlotte “Charlie” Wells, producer Joy Jorgensen, and editor Blair McClendon, enrolled in the Masters of Fine Arts program at New York University’s Tisch School of the Arts, put their heads together to create the short film Laps. It premiered at the 2017 Sundance Film Festival.

  • A Love Triangle in Hell

    After a post-screening Q&A session, Cabral, 28, spoke to Neil Kendricks about his risky modus operandi and tackling the challenging logistics of filming on location in the Najayo prison where approximately 70,000 prisoners are crammed into a facility built for 20,000 inmates. Sometimes, art can emerge from the most unlikely places.

  • 10 Filmmakers to Watch: Complex Movements

    At the intersection of community organizing, design, hip-hop, electronic music, architecture, film, and theater, Complex Movement’s latest project Beware of The Dandelions is a science fiction parable in which the audience plays the role of post-apocalyptic survivors and unlocks the untold stories of their community. This talented group of artists joins The Independent’s 10 Filmmakers to Watch in 2016 for their immersive visual and sound experience that incorporates science-fiction, projections, songs, and interactive game elements.