“FANNY: The Right to Rock”: the long-forgotten story of the revolutionary Filipina-American rock band
Katie Powers reviews “FANNY: The Right to Rock,” a documentary of the band, Fanny, following history and a love letter to present-day Fanny.
Katie Powers reviews “FANNY: The Right to Rock,” a documentary of the band, Fanny, following history and a love letter to present-day Fanny.
Gabriela Portugal reviews “Lamb,” A24’s newest film, which premiered at the Cannes Film Festival this past July and debuted in the U.S. on October 8.
In February 2019, Bollywood marked a moment of growth with the release of its first mainstream LGBTQ, comedy-drama “Ek Ladki Ko Dekha Toh Aisa Laga” (English: “How I Felt When I Saw That Girl”) since the decriminalization of homosexuality.
Senior Critic Kurt Brokaw picks his top movies and shorts from the 59th New York Film Festival, including Julia Ducournau’s Titane, Ryûsuke Hamaguchi’s Drive My Car and Rebecca Hall’s Passing as well as two shorts.
Courtney Gardner follows Fiona Dawson’s work on her new episodic series, Now With Fiona, an talks with Dawson about the 50th anniversary of Stonewall and the fight for transgender minors in Arkansas.
Courtney Gardner reviews the new documentary on Billy Tipton by Chase Joynt and Aisling Chin-Yee. They review the film with an eye towards how Tipton’s evolution into a trans masculine role model has changed his position in popular culture.
Dale Bell’s Woodstock (Rare Bird Books, 2019) is a day-by-day, event-by-event diary by Bell, the associate producer, and 22 other…
Courtney Gardner reviews Ty Hodges’ new film, Venus as a Boy. The film challenges our assumed stereotypes as it follows a small groups of friends as they navigate adulthood in Los Angeles.
Senior Film Critic Kurt Brokaw reviews the 2021Tribeca Festival, which celebrates its 20th anniversary. He spotlights the Warner Bros. musical In the Heights and Michèle Stephenson’s Stateless, two movies tied to the Dominican Republic in two very different ways. He also reviews Coded, Ryan White’s short documentary about J. C. Leyendecker, and The Queen of Basketball, Ben Proudfoot’s documentary on basketball pioneer, Lusia Harris-Stewart.