Behind the Spin
There is a mystique to filmmaking—the silvery light that reflects off the screen, the way the story shapes a character’s…
There is a mystique to filmmaking—the silvery light that reflects off the screen, the way the story shapes a character’s…
In New York, a rooftop is not merely a rooftop. Part refuge, part observation deck, the roof is where New…
Flipping through the catalog of this year’s Sundance Film Festival, the faces of American narrative filmmakers are unsurprisingly still predominantly…
While covering the 2003 St. Louis Filmmakers Showcase, where one of my films was showing, Joe Williams, film critic of…
Several couples chat casually, surrounded mostly by empty red velvet seats inside Brookline, Massachusetts’s Coolidge Corner Theatre in early November….
Cinema was born as a short form. Most early films were mere seconds long. Throughout the history of celluloid, countless…
The line to see The Last Word at the Minneapolis Oak Street Cinema snakes down the block, splitting in two…
If anyone captured the spirit of this year’s Toronto International Film Festival, it was the codger who hoisted a placard…
Although “development hell” is the norm for most independent filmmakers, the experience of Jonathan Caouette stands apart. The thirty-two-year old…