Coolidge Corner Theater Honors the “Pope of Trash” Filmmaker John Waters.
“Pope of Trash” filmmaker and queer revolutionary John Waters is the latest recipient of the Coolidge Award from Brookline’s historic…
Making Films
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The Austin Film Festival 2024: A Celebration of Storytelling in the Heart of Texas
As Austin, Texas settled nicely into autumn weather, the city hosted one of the most anticipated events for filmmakers, screenwriters,…
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Imperfections in Everyday Liaisons Through Rohmer’s “Six Moral Tales”
In the revolutionary time of Nouvelle Vague, fathered by the pioneers of Cahiers du Cinéma, the name Éric Rohmer is…
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DocLisboa Interview: “exergue” – on documenta 14
An ideologically charged documentary that clocks in at 14 hours about the contemporary art scene and the world’s most prestigious…
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Emma Varteresian Talks Stop Motion and Her Film Whispers From The Heart of A Rose
Artist and animator Emma Varteresian says, “No one ever does stop motion the same” and her ambitious work proves as…
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Interview: Chinese Students Studying Film in the United States
China’s film industry is undergoing a recent transformation to a more multicultural “Hollywood” model under the inevitable trend of globalization….
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Preserving the Legacy of Female Filmmakers and The Independent
A conversation between editor Michele Meek and contributor Emily Watlington about the new book Independent Female Filmmakers, which recounts the legacy of 15 groundbreaking female filmmakers from Deepa Mehta to Cheryl Dunye to Martha Coolidge, while also highlighting the history of The Independent itself.
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Berlinale: God Exists, Her Name Is Petrunija
Macedonian filmmaker Teona Mitevska’s film Gospod postoi, imeto i’ e Petrunija or God Exists, Her Name Is Petrunya, begins on an ordinary…
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American Film Market Oct. 31- Nov. 7 2018
The 2018 American Film Market just wrapped up in Santa Monica, California. This year saw comparably stronger sales for small, independent films. Courtney Sheehan was at the AFM, and writes about the importance of relationships and risk-taking, key themes that emerged in the conference sessions on production and distribution.
