Imperfections in Everyday Liaisons Through Rohmer’s “Six Moral Tales”
In the revolutionary time of Nouvelle Vague, fathered by the pioneers of Cahiers du Cinéma, the name Éric Rohmer is…
In the revolutionary time of Nouvelle Vague, fathered by the pioneers of Cahiers du Cinéma, the name Éric Rohmer is…
An ideologically charged documentary that clocks in at 14 hours about the contemporary art scene and the world’s most prestigious…
Artist and animator Emma Varteresian says, “No one ever does stop motion the same” and her ambitious work proves as…
China’s film industry is undergoing a recent transformation to a more multicultural “Hollywood” model under the inevitable trend of globalization….
A conversation between editor Michele Meek and contributor Emily Watlington about the new book Independent Female Filmmakers, which recounts the legacy of 15 groundbreaking female filmmakers from Deepa Mehta to Cheryl Dunye to Martha Coolidge, while also highlighting the history of The Independent itself.
Macedonian filmmaker Teona Mitevska’s film Gospod postoi, imeto i’ e Petrunija or God Exists, Her Name Is Petrunya, begins on an ordinary…
The 2018 American Film Market just wrapped up in Santa Monica, California. This year saw comparably stronger sales for small, independent films. Courtney Sheehan was at the AFM, and writes about the importance of relationships and risk-taking, key themes that emerged in the conference sessions on production and distribution.
Annie Berman, named one of The Independent’s ten filmmakers to watch (2016), is a media artist living and working in New York City. Her background in photography and psychology inspires work about visual culture, virtual realities, and the changing media landscape. Her films, videos, performances, and installations have shown internationally including at the Museum of Modern Art’s Doc Fortnight, Rooftop Films, Galerie Patrick Ebensperger Berlin, Kassel Hauptbahnhof, and the Rome Independent Film Festival where she was awarded the Best Experimental Film Prize. Recently, Annie spoke with The Independent’s editor about her newest VR project—an exploration of the possibilities and limitations of virtual reality through the aftermath of Second Life.
Backpack Full of Cash is a new documentary by Director and Activist Sarah Mondale. The film, which is co-produced by Vera Aronow, offers an unforgiving portrayal of the charter school movement in America. Marie-Emmanuelle Hartness was at the Boston screening and talks with Mondale and Aronow about making the film and about working with Nancy Carlson-Paige and her son, Matt Damon.