Sundance

Black and white image of Justin Chon
|

Sundance Coverage: The Fire This Time

With its kitchen-sink realism and cinematographer Ante Cheng’s moody, black-and-white camerawork, the filmmaker’s quasi-autobiographical Gook stems from his childhood memories about his father defending the family business during 1992’s Los Angeles riots following the notorious, not-guilty verdicts of the four LAPD officers involved in the 1991 beating of the late Rodney King.

laps-short-film-header
|

All for One, One for All: Laps

Three filmmaking musketeers, writer-director Charlotte “Charlie” Wells, producer Joy Jorgensen, and editor Blair McClendon, enrolled in the Masters of Fine Arts program at New York University’s Tisch School of the Arts, put their heads together to create the short film Laps. It premiered at the 2017 Sundance Film Festival.

carpinteros-movie-header

A Love Triangle in Hell

After a post-screening Q&A session, Cabral, 28, spoke to Neil Kendricks about his risky modus operandi and tackling the challenging logistics of filming on location in the Najayo prison where approximately 70,000 prisoners are crammed into a facility built for 20,000 inmates. Sometimes, art can emerge from the most unlikely places.

Sundance 2016: Where Black Lives Matter

Sundance 2016: Where Black Lives Matter

Slave rebellion, a romance for the history books, and girls being their odd, tough selves combine for one potent antidote to Hollywood’s dearth of black lives on screen. Credit goes to Sundance 2016, according to staff writer Neil Kendricks, who says this festival “defiantly flies a multi-racial flag of true diversity.”

Sundance 2016: New Frontier’s VR Spectacles

Sundance 2016: New Frontier’s VR Spectacles

In its 10th year, Sundance’s New Frontier section abounded with cutting edge technology and immersive, VR experiences. Neil Kendricks and Maddy Kadish wore the headsets, goggles, and assorted cutting-edge tech in order to leave Park City momentarily behind and glimpse the future of storytelling.