10 Filmmakers to Watch in 2014
10 to Watch is the annual series that highlights filmmakers who stand out as leaders in the field of independent storytelling. Starting May 12th, we will post a new filmmaker each day for 10 days in a row.
Author: john_rodzvilla
Jumpstart Your Creativity with a Short Film Challenge
Tired of all of the talk about making a movie? Take action today by signing up for one of more than a dozen short film challenges where you write, shoot, edit, and screen your film sometimes in 48 hours or less.
Tribeca 2014: Interactive’s Audience Now Has an Audience
From playing the giant piano inspired by <i>Big</i> to starting to fan stalk other media fans, Tribeca’s cutting edge Innovation Week brought all things transmedia (and more) to the forefront of the conversation, and better yet, to the hands-on Interactive Playground. Senior producer Maddy Kadish was on the scene.
Tribeca 2014: Critic’s Choice
Of Tribeca’s 89 features and 60 shorts, senior critic Kurt Brokaw elaborates on his favorites. <i>Chef, Venus in Fur</i> and <i>Virunga</i> started us off and <i>Dior and I, Helium, Today’s the Day, Love In the Time of March Madness, Human Voice, Shaking Free</i> and <i>The Vortex Finds a Host</i> round off the list.
Cinematic Lessons From a Cold War Era
Kurt Brokaw matches Thom Andersen and Noël Burch’s tour de force of clips in their 1995 documentary <i>Red Hollywood</i> with a likewise ambitious recap of those clips. Film students take note, thanks to McCarthy, you haven’t seen everything yet, but this doc will help you get there. Screening at Film Society of Lincoln Center August 15-21, 2014.
Distributor FAQ: FilmBuff 2014
Get a sneak peek at one of the new additions to <i><a href=”http://www.independent-magazine.org/distributor”>The Independent’s Guide to Film Distribution</i></a>: FAQ with FilmBuff CEO Janet Brown on the who-what-why of FilmBuff’s VOD-centered distribution mission.
New Directors/New Films 2014 – Critic’s Choice
Horror doesn’t scare our senior film critic Kurt Brokaw. Two cutting films make his cut (<i>Buzzard</i> and <i>The Babadook</i>) plus he returns to Romania’s cinema frontier with <i>QED</i> (that’s the short title) gets unfrozen in Greenland and takes a ride with the Phantom, Nick Cave.
Rendez-Vous With French Cinema 2014
“You may not be persuaded by a minute of it, but if you have a sweet tooth for French neo-noir, you can’t help but believe your lying eyes.” That’s senior critic, Kurt Brokaw, on his fourth consecutive year choosing a critic’s choice from Rendez-vous With French Cinema. Curious about which one he’s talking about? Read <a href=http://independent-magazine.org/magazine/2014/02/Kurt-Brokaw_Rendez-vous_with_French_Cinema>more</a>.
Back to the Past: Keva Rosenfeld’s 1987 Documentary “All American High” Finds a New Audience
Is our nostalgia for the 80s replacing our nostalgia for the 50s? Michele Meek suggests so, using a resurgence of interest in Keva Rosenfeld’s 1987 documentary, <i>All American High</i>, as her primary example. It screens March 9th and 12th at SXSW.