Private Violence: An Insider’s Perspective
Pamela Mason Wagner takes a look at ‘why women stay’ with filmmaker Cynthia Hill on her documentary Private Violence, about women in abusive relationships.
Pamela Mason Wagner takes a look at ‘why women stay’ with filmmaker Cynthia Hill on her documentary Private Violence, about women in abusive relationships.
Cinema Politica is the world’s largest campus and community-based documentary screening network, reaching a total audience of over one million across its network each year. Engaged, questioning, eager to take action: this is the type of audience filmmakers dream of.
From his purview at TIFF 2014, Drafthouse’s Tim League weighs what is and isn’t apocalyptic about the future of distribution in a season of down box offices and new acquisitions such as Joshua Oppenheimer’s The Look of Silence.
From playing the giant piano inspired by <i>Big</i> to starting to fan stalk other media fans, Tribeca’s cutting edge Innovation Week brought all things transmedia (and more) to the forefront of the conversation, and better yet, to the hands-on Interactive Playground. Senior producer Maddy Kadish was on the scene.
Is our nostalgia for the 80s replacing our nostalgia for the 50s? Michele Meek suggests so, using a resurgence of interest in Keva Rosenfeld’s 1987 documentary, <i>All American High</i>, as her primary example. It screens March 9th and 12th at SXSW.
From creepy to awesome, women made their mark on and off screen at Sundance 2014. The moments were many but we’ve opted to share 10 of our favorites with you. Enjoy!
Partway through Homer’s The Odyssey, the hero Odysseus is advised, in the midst of epic challenges, “Even his griefs are…
In addition to attending film festivals to screen or network on behalf of an independent film, a diverse array of…
Montréal’s Festival du Nouveau Cinéma (FNC) just wrapped up its 42nd edition. Following up on his evening-in-the-life of FNC Temps…