Articles Tagged Documentary

The Doc Doctor’s Anatomy of a Film: “51 Birch Street”

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About this new column: Many filmmakers ponder in anguish, How do other people—celebrated people—do it? Am I taking too long to make this documentary? Does everybody spend as much money as I am spending, or am I spending too little? And when filmmakers share their lessons learned in interviews in the glossy trade magazines, their… Read more »

Writing a Companion Book to Your Film

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An examination of how the Iraq War went so wrong, Charles H. Ferguson’s documentary No End In Sight is by turns forensic and surreal, a synthesis of devastating facts, damning archival footage, and poignant interviews with well-placed Iraqis and Americans who tried in vein to keep catastrophe at bay. It’s an unusually ambitious film for… Read more »

The Doc Doctor’s Anatomy of a Successful Film: “Divan”

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About this new column: Many filmmakers ponder in anguish, How do other people—celebrated people—do it? Am I taking too long to make this documentary? Does everybody spend as much money as I am spending, or am I spending too little? And when filmmakers share their lessons learned in interviews in the glossy trade magazines, their… Read more »

Airing Your Dirty Laundry

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Doug Block wasn’t sure he had a film yet. His mother had passed away and he was videotaping his father’s move from the family home for posterity. Block had every reason to believe his parents’ 54-year marriage was happy. Then, riding next to his father one afternoon, he asked, “Do you miss mom?” “No, I… Read more »

A Conversation with Les Blank

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In his new film All In This Tea, director Les Blank operates at the far extremes of technology, using digital video to explore an old-world subject matter: artisan, handmade tea. Blank, who is best known for Burden of Dreams, Garlic is as Good as Good Mothers, and Chulas Fronteras, saw digital video as a way… Read more »

Blurring the Lines

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Ohio-based filmmakers Steven Bognar and Julia Reichert’s 3-hour and 45-minute documentary A Lion in the House follows five families with economically and racially diverse backgrounds over six years during their fights against childhood cancer. The filmmakers (Reichert started New Day Films in 1971 and both are longtime members of AIVF) recount the fascinating process of… Read more »

AIVF: And What it Meant to Me

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I first became aware of AIVF when Martha Gever was editor of The Independent. I marveled at this national organization that put out each month a magazine chock full of weighty, intellectual and critical articles on film and video. The magazine wasn’t glossy and was not determined to be a general “industry rag.” At that… Read more »