Articles Tagged Film Festivals

The Show Must Go Green

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Miranda Bailey’s recent film-within-a-film documentary, Greenlit, portrays the hopes and eventual challenges of making the production of The River Why “green.” There’s an initial hope that making the Why production eco-friendly is doable, and even money-saving. They’ve hired a sustainability consultant, the initiative is coming from the producer, and Bailey even watches Al Gore’s An… Read more »

Tribeca 2010 Critic's Choice: "Cairo Time"

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Cairo Time (Ruba Nadda. 2009. Canada/Ireland/Egypt. 89 min.) We’ve all logged time in the stranger-in-a-strange-land movie, but rarely with the intense pleasure that accompanies watching Patricia Clarkson discover Cairo. Clarkson works more modestly and with more cumulative emotional impact under Syrian/Canadian writer-director Ruba Nadda than she’s ever demonstrated in a long, distinguished career. There’s a… Read more »

Tribeca 2010 Critic's Choice: "Visionaries"

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Visionaries (Chuck Workman. 2010. USA. 90 min.) If you were tasked with pulling together a comprehensive history of experimental cinema from the 1920s through today—running exactly 90 minutes—who would you trust to research and assemble such a formidable project? Chances are Chuck Workman would top your list; his reputation as the premiere montage specialist has… Read more »

Tribeca 2010 Critic's Choice: "The White Meadows"

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The White Meadows (Mohammad Rasoulof. 2009. Iran. 93 min.) “My job has to do with people’s heartaches,” says Rahmat the boatman (Hassan Pourshirazi), a serious and purposeful man whose unending task seems to be circling the tiny islands and inlets spotted through Lake Urmia, one of the largest saltwater lakes in the world. Rahmat’s specific… Read more »

Tribeca 2010 Critic's Choice: "The Killer Inside Me"

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The Killer Inside Me (Michael Winterbottom. 2010. USA. 109 min.) Deep into Michael Winterbottom’s indelibly accurate rendering of Jim Thompson’s most important novel, is a defining scene in an Oklahoma jailhouse. Sheriff Lou Ford (Casey Affleck, as soulless a killing machine as any lifelong Thompson fan could wish for) is trying to cheer up the… Read more »

Defending Tribeca in an Era of Megabrands

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Those French scamps who walked off with this year’s Best Short Oscar (LogoRama) didn’t sneak in a Tribeca Film Festival logo among their 2,500 global power players. But TFF’s simple, clean graphic wouldn’t have looked out of place next to MGM’s lion and Universal’s revolving world. TFF still has only a fraction (nine years) of… Read more »

Tribeca 2010: Melanie Schiele on "Delilah, Before"

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After working in various capacities as writer, director, producer and cinematographer on over 20 student shorts as part of New York University’s Tisch Asia in Singapore, Filmmaker Melanie Schiele makes her directorial debut with the short Delilah, Before. The film captures a turning point in the lives of three generations of women as a young… Read more »

Tribeca 2010: Michael Creagh on "The Crush"

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As an “ad man by day,” filmmaker Michael Creagh had been “tinkering with ideas and scripts” for several years before acting on his dream. His debut film The Crush tells the story of an eight-year-old boy (played deftly by Creagh’s son) in love with his teacher. When the boy’s gift of a toy ring is… Read more »