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Editor’s Note: This collaborative reporting effort was led by Nikki Chase, Maddy Kadish and Beth Brosnan. Be sure to check…
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Whose Hugo?
David Pierotti writes an ode to the book “The Epicure’s Lament” by Kate Christensen, where he talks to Christensen and goes into the movie adaption of the book and how the book is connected to his own life.
George Hickenlooper on “Casino Jack” and the New Definition of Independent Film
There’s no doubt that making a political film was meant to be in Casino Jack director George Hickenlooper’s future. (The…
Lessons in Perseverance
With latent teen rocker angst and a career as a print music journalist threatened to the point of extinction, Geoff…
Exhibitor FAQ: Emerging Pictures
With about 70 theatrical venues, Emerging Pictures is the largest network of digital theaters in the country. Existing and burgeoning…
The Show Must Go Green
Miranda Bailey’s recent film-within-a-film documentary, Greenlit, portrays the hopes and eventual challenges of making the production of The River Why…
Distributor FAQ: FilmBuff
FilmBuff is a digital distribution service provided by Cinetic Rights Management (CRM). Although FilmBuff is less than three years old,…
Exhibitor and Distributor FAQ: Seattle’s Northwest Film Forum
Located in Seattle, the Northwest Film Forum (NWFF) is an invaluable resource for independent filmmakers in the Pacific Northwest, providing…
Tribeca 2010: Travis Senger on “White Lines and The Fever: The Death of DJ Junebug”
After winning a special jury prize at SXSW 2010, Filmmaker Travis Senger brings his short documentary White Lines and The…