https://independent-magazine.org/2003/04/01/beth-harrington/
Obsessed with Independent Film Since 1976
Obsessed with Independent Film Since 1976
It’s been said that every filmmaker secretly wants to be a rock star, and vice versa. Beth Harrington has been both. In what she calls “a former lifetime,” she performed with Jonathan Richman and the Modern Lovers. She’s since worked on an array of documentary programs, from NOVA to Frontline to Health Quarterly. But her… Read more »
What is Film Movement? We’re a company that matches consumers with deserving filmmakers. We do this in two ways: through theatrical releases and by combining them with a subscription-based service so that people everywhere in the United States and ultimately Canada can get access to the same films as people in New York City, Chicago,… Read more »
What is the Woman In Film Finishing Fund? We are the philanthropic outreach arm of the Women in Film organization. We do a lot of outreach programs that are open to the general public, but specifically to the Women in Film general membership. The fund supports filmmakers who make thoughtful and provocative films by or… Read more »
Although Milwaukee will eternally be known for beer, cheese hats, and the infamous Laverne and Shirley, the unique city is also home to a thriving and supportive art scene. The film and video community in Milwaukee has enjoyed an increasingly active past couple of years. Legend has it there was a hot film scene here… Read more »
Philip Seymour Hoffman and Todd Louiso met over ten years ago, when both were acting in Scent of a Woman. Since then, they have become friends, lived together for a year and a half, and worked together on a short film, The Fifteen Minute Hamlet (1995), Louiso directing, Hoffman acting. Then came the big challenge:… Read more »
"We’re not altruistic," says Jonathan Sehring, IFC Films president, "although somebody said at Cannes, ‘Oh, you guys are the one patron saint now of financing independent films, because there’s not a lot of equity out there without strings attached.’ Well, we have strings, if you want to call them strings, but they’re supposed to be… Read more »
When the year was young, the hot topic was Monica, not Kosovo. So at the Sundance Film Festival in January, war was the furthest thing from most people’s minds — unless they happened to catch Regret to Inform,Rabbit in the Moon, or Return with Honor,three documentaries dealing with war and its aftermath. Ten years in… Read more »
One year ago, William J. Ivey was quietly confirmed by the United States Senate as the seventh Chair of the bruised and battered National Endowment for the Arts. Ivey’s appointment occurred just as the dust was starting to settle from a decade-long assault against the government-funded arts agency by congressional critics who had targeted controversial… Read more »
Between the impeachment proceedings in Washington and the bombing runs over Iraq, the mid-December release of a final report by the Advisory Committee on Public Interest Obligations of Digital Television Broadcasters didn’t stand much of a chance. Even on a slow news day, this was not the kind of material to create much of a… Read more »
After three ver the course of an auspicious career, documentary filmmaker Arthur Dong has created an extraordinary body of work, including the Academy Award-nominated Sewing Woman (1982), Forbidden City, U.S.A. (1989), the Peabody Award-winning Coming Out Under Fire (1994), and Out Rage ’69, a program in the ITVS series The Question of Equality. He is… Read more »