SXSW 2012: Where Transformation is the Norm
Over the last 25 years, South by Southwest has transformed from a music festival to the now familiar South by…
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Reasons for the Cutting Room Floor
It’s not every day that you get an opportunity to speak with one of Hollywood’s premiere film editors. If you…
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IDFA 2011 – Int’l Perspectives on Digital Distribution and Doc Financing
Rembrandtplein, Amsterdam – A square crowded with coffee shops and clubs (and therefore crawling with tourists) is the proud center…
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Leader of Red Sheep
Red Shirley, Lou Reed’s 28-minute homage to his 101-year-old cousin, Shirley Novick, had its New York premiere January 15th, as…
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Greater Filmmaker Responsibility in the New Documentary Paradigms
Anyone who cares about documentary filmmaking wants to know: In the current post-financial crisis, insecure-industry environment, how can filmmakers fund…
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How to Open a Festival with a Bang
There is something unusual about Score: A Hockey Musical, which opened the Toronto International Film Festival this year. For one,…
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The Desperation of Independence
As we enter another fall broadcast season and the networks prepare to launch new fare like Mike & Molly or…
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Fantasia’s Programmer Simon Laperrière Wants You to See More Genre Films
Montréal’s Fantasia International Film Festival may well be the largest film fest you’ve never heard of. If you haven’t been…
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A Meeting of Worlds: YouTube Biennial at the Guggenheim
The Guggenheim Museum: one of the art world’s most venerable institutions, home of masterpieces from the Impressionist movement to the…
