Maddy Kadish speaks with 2018 10 to Watch winner Reinaldo Marcus Green on his first feature film Monsters and Men.
The Independent‘s Editor speaks with Gabriel Silverman, Fiona Dawson, and Jaime Coughlin on their award-winning documentary TransMilitary.
Mike Sullivan speaks with 2018 10 to Watch winner Arielle Nóbile her newest documentary Belonging in the USA.
David Pierotti speaks with 2018 10 to Watch winner Christina Raia her new film About a Donkey.
Evan Crean speaks with 2018 10 to Watch Winner Boots Riley on directorial debut Sorry to Bother You
In this installment of Women in Film Portraits, Lauren Sowa profiles Danielle Eliska Lyle, a writer, filmmaker, and photographer from Detroit. As a “black archivist,” Danielle’s life work is to tell stories (written, filmed, and photographed) of powerful women, the black diaspora, and the state of black culture. Danielle has gained notable screenwriting recognition and many awards. Her infectious spirit and passion for creative storytelling are palpable; read on!
In this installment of Women in Film Portraits, Lauren Sowa profiles Alicia Slimmer, Director of the Award-Winning narrative feature Creedmoria. Slimmer discusses the making of the film, its musical influences, and its festival run. In addition, Slimmer shares lessons learned in Directing Creedmoria and offers advice to women working in the film industry today. Creedmoria will be released May 18th on Amazon, iTunes, and Google Play.
Women in Film Portraits is a series by Lauren Sowa about supporting, cheering, helping, and connecting with up-and-coming creative artists. In an industry where female voices are still underrepresented, this project is timely and vital. The series will launch in January with a profile of Iranian-American Director Natasha Kermani. New interviews will appear monthly at the magazine.
Annie Berman, named one of The Independent’s ten filmmakers to watch (2016), is a media artist living and working in New York City. Her background in photography and psychology inspires work about visual culture, virtual realities, and the changing media landscape. Her films, videos, performances, and installations have shown internationally including at the Museum of Modern Art’s Doc Fortnight, Rooftop Films, Galerie Patrick Ebensperger Berlin, Kassel Hauptbahnhof, and the Rome Independent Film Festival where she was awarded the Best Experimental Film Prize. Recently, Annie spoke with The Independent’s editor about her newest VR project—an exploration of the possibilities and limitations of virtual reality through the aftermath of Second Life.